Ultimately, the extra bits draped around the core experience are the real star, offering up a helping of charm and wit that help sell the title as a cosy little experience worth your time, even if you might not have much cause to return to it once you’re done.
What you’re left with is one of the better PSVR horror experiences, and one absolutely worth your time. Just be careful, as this one’s not for the faint of heart.
Despite the gameplay and level design being pretty middling, we still think this game is worth a spin. It’s all about the atmosphere, and the organism itself, both of which are rousing successes and worth the price of entry alone.
With a compact, but dense world to navigate – most of the game takes place in one sprawling interconnected area – you’ll learn your way around in no time. This is aided by the game’s clever fast travel system, which cuts down on pointless back and forth greatly.
NHL 22 surprises by making its debut on a new console without removing any of its modes, but those who played NHL 21 may find this version a little too familiar. X-Factors on paper should be a game-changer but are mostly underwhelming. The switch to Frostbite does massively improve the fidelity of the rink – even if character models still look downright demonic – but should that really be the biggest change to the game? The ultimate question is: can the price increase be justified on the PS5? And given how little really has changed from last year to this year, the answer has to be a “no”.
Enemies are visually grotesque, and their blinding-rage aggression makes for an experience that, even if you’ve played previously, is a challenging experience. You have to make the most of all your weapons, although the classic strategy of “use your shotgun as often as possible” remains viable. Ditto for the rocket launcher, the weapon most closely associated with the game.
It doesn’t hurt that the game is designed with a confidence and flair we don’t often see in VR. Absolutely everything down to the menus has a level of swagger that makes for a stunning experience. Cel-shading works well in certain settings, and VR is absolutely one of them: it allows Fracked’s environments to have exponentially more detail and complexity than a similar game without cel-shading, adding much more life to the title's alpine mining facility.
The game's list of issues outside of its inventory is mercifully short. Climbing trees is janky, but the basic locomotion system – a mechanic where you ride stilts hand-made for the PS Move – is exquisite, so getting around is a breeze. The bigger concern – something that may well be fixed by the time you read this – lies with crashing. The pre-release version of the game we reviewed crashed a ludicrous number of times, and as this is a VR experience, it’s especially disruptive.
The end result is a vastly improved version of what is by far the best title set in Dmitry Glukhovsky’s apocalyptic Russia – even if the voice work, in English at least, is uneven to put it kindly.
While the levels make no logical sense in true retro shooter fashion, they do make game sense, all having clearly defined layouts that expertly navigate you through some truly massive environments. One standout is an entire level that takes place within a canyon, with a foreboding level of verticality. The design knows just which cues to provide you, and actually finding where to go is no more challenging than with any other modern game. While many of the environments rely heavily on white tiled walls, as you progress further outside, more colour breathes life into the world, a most welcome change.
However, the writing is a bit of a letdown. The character interactions are solid, and seeing their interplay is a delight. There’s also an impressive level of detail paid to the minutiae of film-making that we rarely see. Unfortunately, this level of care doesn’t touch all corners of the experience. The character's connection to the primary narrative is tenuous. Outside of the very first mystery, the protagonist's motivations for remaining involved in these murders don’t feel warranted. This is especially problematic when it comes to Rintaro’s chapters, which comprise the brunt of the game’s 15 or so hours. The writing is able to somewhat successfully sidestep this problem, through sheer force of intrigue, but it’s not wholly successful.
The maps are huge, and have points of interest to discover littered throughout. Really the only obstacle for enjoyment is your own patience and just how much time you’re willing to spend doing all the less-than-thrilling activities.
Control: Ultimate Edition represents a great achievement. Between its already impressive gameplay and a robust number of performance upgrades, Control both looks and feels like a next-gen title. Sussing out secrets and uncovering the myriad mysteries and suspicious happenings tied to one of gaming's most unique and interesting places are better than ever. For anyone who had been holding off on playing the game, there's never been a better time to give it a shot.
While recurring problems persist, MXGP 2020 is the new highpoint for Milestone's licensed racing series. Hugely reduced load times and more immersive gameplay than ever before help push this year's entry that extra little bit ahead, though it continues to be let down by its environments and lack of content. The addition of Race Director Mode - a transplant from the Monster Energy Supercross titles - at a later date will definitely help, but a more substantial update in 2021 would be even better.