Hollow is an incredibly ugly game with the kind of plentiful technical issues that make it actively difficult to play. Those with a masochistic streak might derive some pleasure from its abrasiveness and its downbeat tone, but most Switch-owning horror fans would be much better served playing through Resident Evil Revelations and its sequel for the umpteenth time.
Typoman remains a refreshing combination of platform-adventure and word puzzler, with a particularly creative use of words and letters as physical tools. It's undoubtedly spoiled by frustratingly clunky platforming mechanics and a lack of clarity in some of its design, but those after something a little bit different and cerebral should give it a spin.
The Fall Part 2: Unbound continues the story from The Fall with an interesting angle on familiar sci-fi concepts, but the game that underpins this darkly cerebral world is somewhat lacking. Both its action and adventure elements suffer from stilted controls, and the imaginatively conceived point-and-click sections don't always leave a satisfying breadcrumb trail for the player to follow. The result is a game that's as frustratingly flawed as it is thought-provoking.
Dandara is a 2D Metroidvania platformer that's admirably intent on doing things differently, from its Brazilian folklore-infused narrative to its unorthodox and touchscreen-friendly controls. It can be a little awkward to play as a result, and it's got its fair share of structural niggles, but Dandara provides a genuinely fascinating world to spend some time in.
Her Majesty's SPIFFING is a lovingly made tribute to the point-and-click adventure genre of the early '90s, with a likably cheeky and surprisingly topical sense of humour. Its traditional underlying mechanics, however, can't quite cash the cheques its script is writing, and it's all over a little too quickly.
Darkest Dungeon has always been an RPG that finds ways to make life uncomfortable for the player, and this Switch version manages to add a couple of usability issues to that list. However, this remains a dauntingly deep, thoroughly absorbing dungeon crawler that will swallow you up for hours at a time.
Shu is an elegant, attractive and thoughtful 2D platformer that strips away a lot of the excess of its genre rivals. It's still not ripping up any rulebooks or reinventing the wheel, and it's far from the best platformer on the eShop. If you're after a more sedate alternative to Sonic Mania and company, however, it's an enjoyable way to spend a few hours.
Nightmare Boy throws a whole heap of platform-adventure ideas at the wall, but only a few of them manage to stick. It's a Metroidvania with a distinctive style all of its own, but there are some glaring issues with its narrative, controls, pacing and performance. If you're after something completely different in the platformer category and have a high frustration threshold, however, there's a certain amount of quirky fun to be had here.
The Escapists 2 is an ingenious, multi-layered clockwork sandbox that offers you a wide range of routes to freedom. Its tough demands and myriad competing systems can lead to frustration, but a winning sense of humour and knock-about fun always brings you back for another jailbreak attempt.
Furi's series of dauntingly challenging boss fights are capable of turning all but the most committed of player into a gibbering wreck. It's a deceptively clever game that combines shooter and and beat-'em-up mechanics, all wrapped up in a stylish anime-influenced shell. It's not for everyone, with numerous difficulty spikes and an over-reliance on repetition. But it's refreshing to see a game rewards patient observation and persistence, as well as mastery of a carefully calibrated control system.
Bloody Zombies brings a fresh visual style and a couple of interesting touches to the classic scrolling beat-'em-up. Unfortunately it doesn't flourish where it matters most - the quality and scope of its combat.There's still a fair amount of mindless fun to be had in local multiplayer, even if Bloody Zombies lacks the fluidity and variety to become a true regular on your co-op Switch game roster.
Guns, Gore & Cannoli is a reasonably proficient side-scrolling shooter that grows somewhat tiresome through repetitive combat and unpleasantly clichéd character design. It's an enjoyably brainless diversion - especially in multiplayer - but it's one that only really works in small doses.
One More Dungeon is a loving tribute to the first person shooters and dungeon crawlers of the early '90s, but with the kind of longevity-boosting roguelike touches that will be familiar to modern gamers. Whether deliberate or not, some of its retro touches feel a little too clunky for their own good, particularly when it comes to the controls and interface. Still, there's no denying how absorbing an extended run through its randomised environments can be.
Enter The Gungeon is a brilliantly tactile, endlessly replayable twin-stick roguelike that sits right up there with the very best indie games on Nintendo Switch. With satisfying combat, random levels, and an endless supply of inventive weapons, items and secrets, it's always a total joy to play. Yet another modern indie classic has found a natural home on Nintendo's console.
MUJO is a decent casual puzzler with a pleasant aesthetic, but the total lack of effort made to bring the game in line with its new platform is deeply disappointing. The game's poorly optimised user interface and ill-fitting legacy in-app purchase system smack of a rush job.We've got no problem with developers bringing mobile games across to Switch. This is a portable system that's built on mobile technology, and there are plenty of top mobile games out there that would make for a good fit with just a little effort. MUJO, however, is a deeply lazy and cynical port.