Although not quite as meaty as its older sibling, Professor Lupo: Ocean boasts the same engaging puzzle gameplay, albeit with often unwieldy controls. It’s a short game, and not one you’re likely to come back to soon after completion, but with a relatively small price tag, it’s one you’d do well to pick up if you’re after an original puzzle title.
As with any roguelite, Synthetik: Ultimate requires an abundance of playthroughs in order to progress further into the game. Its overall length very much depends on your own commitment, but the strong gameplay is more than enough incentive to keep coming back, despite the poor menu system and less-than-stellar graphics. The addition of an Arena mode on top of the main ‘Citadel’ mode is welcome, though it doesn’t offer anything particularly new, so you’ll likely just stick to the main mode.
Despite the lack of a single original idea to call its own, Landflix Odyssey is saved by its gameplay, which is both challenging and fun. Each stage is just the right length if you want to drop in and out, and there’s enough here to keep you busy for a good four or five hours altogether. If you’re willing to forgive the poor translation and weak attempt at parody, then Landflix Odyssey is a solid 2D platformer worth checking out.
Tanuki Justice is typically ‘retro’ in terms of its overall presentation. The colourful, pixel-heavy visuals pay homage to NES titles (although the art design often screams Sonic), and the soundtrack features some catchy, albeit rather repetitive tunes. There are a couple of annoying quirks typical of some 8-bit games, like the inability to jump down through a platform, and items disappearing after just a few short seconds. Otherwise, if you’re after a fun little run ‘n’ gun platformer reminiscent of early Mega Man titles, this might just be the one for you.
Taiko no Tatsujin: Rhythmic Adventure Pack is an incredibly comprehensive experience that both fans of the series and newcomers will love. The story modes boast fun characters and engaging battles, though the random encounter feature from Rhythmic Adventure 1 can get a little tiring after a while. The real meat of the experience once again lies with Taiko Mode, which features a generous selection of song across various genres, and the accessible nature of the gameplay makes it immediately gratifying and addictive. It's a shame the motion control scheme remains unreliable, and you really should invest in a taiko drum for the full experience, but thankfully the touch screen and face button controls are more than capable.
Absolute Drift is the kind of game that can quite easily provide a good hour or so worth of entertainment on a rainy day. Our fear with this one, however, is that the learning curve is so brutally steep, it may put you off before you even properly get into it. If you do manage to power through, though, it’s a genuinely relaxing, satisfying experience. It’s just a shame the game is hampered by poor design choices and crippling technical issues.
Ultimately, though, this all feels like extra baggage that isn’t necessary to the overall experience; there’s enough here to keep you entertained for a good while just in terms of pure gameplay, and although it’s not the kind of game that incentivises repeat playthroughs, there’s always that niggling feeling at the back of the mind to have ‘just one more go’. There are a couple of minor issues, such as the fact that some obstacles get obscured and really sneak up on you, and a distinct lack of extras that we’d like to have seen in a collection like this. But otherwise, the Alto games are well worth checking out if you’re after a breezy, relaxing experience.
Considering how quickly Five Dates was conceptualised and developed, the overall execution of the story is commendable. Having said that, it’s a shame there’s no option here to flip things around and have a woman protagonist join the app to date five men in addition to Vinny. We appreciate this would effectively double the amount of work required, but we have to wonder who exactly Five Dates is aimed at. As it is, the entire premise feels like a throwaway side-story shoved into a Richard Curtis rom-com to simply appease the men in the audience. It’s a fun little distraction, but ultimately not an experience that’s going to stick with you for long.
With its wacky storyline and stylish graphics, Mad Rat Dead would be a confident platformer even without the rhythm mechanics. But with the help of an excellent soundtrack, it’s an experience that feels wholly original, even if it’s not the first game to blend the platforming and rhythm genres. It can be a tricky game at times, but with the help of the rewind function, it’s one that feels relatively breezy overall, letting you just sink into the music and bust out those sick moves.
It’s a real shame that YesterMorrow performs so poorly, because visually it’s a real treat, and it’s backed up by a pretty great soundtrack. More importantly though, its gameplay – while functional – can’t hold a candle to a game like Celeste, and we feel it really should have nailed this aspect if it’s to be successful. YesterMorrow may be worth a go if the severe technical issues get ironed out, but it’s by no means a must-buy.
TENS! is very much like Sudoku; it’s the kind of puzzle game that is so immediately accessible to everyone, it’s actually quite difficult to pick out any significant flaws. Ultimately, your enjoyment of the title will come down to how much you want to play a game that’s essentially about adding and subtracting numbers. It’s not for everyone, but if you’re up for it, then TENS! will sink its hooks in you and won’t let go for a long time.
Pumpkin Jack is an absolute triumph. For a debut title, it's remarkably confident in its vision, delivering a delightfully spooky experience that feels very familiar to MediEvil without outright copying it; in fact, with MediEvil's controls feeling distinctly dated by 2020 standards, we'd go so far as to say Pumpkin Jack is superior. The controls are slick with satisfying combat mechanics, and while the platforming can occasionally feel a bit frustrating, it's mostly very well done. Visuals in handheld mode can look a little grotty, so we'd recommend playing on the TV if you can, and make sure you crank up that camera sensitivity. Fear not though, folks; Halloween is well and truly alive in 2020 thanks to Pumpkin Jack.
On its own, Falcon Age for the Switch is still a fun experience, but when held up against its VR sibling, it’s an objectively lesser game. Nevertheless, we’d still recommend giving it a shot if only for its remarkably unique premise; after all, it’s probably the closest most of us will get to owning a pet falcon.
We commend the approach taken with this game. It’s a thoughtful take on a real-life murder mystery, and although the stealth sections felt a bit unnecessary, the experience as a whole at least felt relatively authentic. Ultimately, though, the gameplay and visuals just aren’t up to scratch at all, and there are far better examples of the genre on Switch that you’d be much better off playing.
Super Blood Hockey is an entertaining sports game, but not necessarily one that will hold your attention for very long. Even with the abundance of options and game modes, the actual matches themselves play out rather similarly to one another, and there’s very little strategy at play here. Nevertheless, it’s a fun ride while it lasts, and you’ll undoubtedly blow off a bit of pent-up steam with this one.
