Stuart Gipp

Nintendo Life

Stuart Gipp·Nov 29, 2021

Critic90/100

Agreement—

It's difficult to get across exactly why Danganronpa V3 is so good without spoiling vast swathes of it, so we'll keep it simple. You'll come into the game baffled as to what the writers were thinking with some of these characters, and walk away loving each and every one of them. There isn't a single moment of slack throughout the whole 40-hour playtime, it has the most extensive post-game of any title in the series, and one of the best endings to any game ever made. Go in blind and we promise you'll be in for the ride of your life.

Nintendo Life

Stuart Gipp·Nov 29, 2021

Critic80/100

Agreement—

Danganronpa: Trigger Happy Havoc offers a memorable Killing Game with fantastic, iconic characters, a genuinely funny and smart script, and some superior twists and turns along the way with well-earned emotional hooks and at times shocking violence. It's funny, it's dramatic and it's very problematic, so exercise some caution - this is resolutely not a game for kids, but even adults will struggle with some of its less savoury or more overtly brash, thoughtless content. It's not enough to mark the game down in any way, but readers should be aware that this is not a tactful piece of software, which for some will ward them away but we suspect for others is a major selling point. We urge you to check the game out for yourself, as it is, quite frankly, a classic in the visual novel genre.

Nintendo Life

Stuart Gipp·Oct 30, 2021

Critic90/100

Agreement—

Dusk is one hell of an impressive piece of software and possibly the single best Unity port to Switch we've ever seen, sidestepping all the usual performance problems and delivering a brilliant experience of a brilliant game. We've tried to think of meaningful criticisms or negatives. Of course pad controls are never going to be as precise as mouse aim, but when the developers have tailored the analogue sticks to such a degree of precision, that would be churlish to ding them for. It's not as good a game as Quake, but almost nothing is. It's arguably a better port than Quake got, and that was itself excellent. There's a relatively limited arsenal of weapons - they're all great, but there's no iconic gun here, just your usual pistol, shotty, assault rifle, explosives, et al. Ultimately, Dusk is another absolute cracker in what's turned out to be a phenomenal month for Switch; a real horror show, and the highest of 9s.

Nintendo Life

Stuart Gipp·Oct 18, 2021

Critic30/100

Agreement—

Taking a balanced look at Aeon Must Die!, we really struggle to see exactly what anyone could get out of it. It's repetitive, ceaselessly uninteresting and frustrates on a fundamental level. We've certainly played worse games and it deserves credit on some level simply for having so many ideas, but none of them are good - or, at least, none of them are executed with the requisite level of skill that would make them work. It's a shame, because with more refinement, more of a tight clutch and a willingness to throw out what doesn't work, we feel like Aeon Must Die! could be pretty special. As it stands, there's no level on which we can enthusiastically recommend it.

Push Square

Stuart Gipp·Oct 16, 2021

Critic80/100

Agreement—

Having spent a lot of time with Back 4 Blood, we think it's well worth your time and, crucially, your money. It's just a lot of fun blowing Ridden heads off or smashing them with a baseball bat like a watermelon in an anime beach episode. It doesn't really deliver a compelling experience solo – the bots are just a touch too stupid for that – but Back 4 Blood ought to become a multiplayer fixture for the rest of the generation to come. Unless they bring out Back 4 Blood 2 in, like, a year.

Push Square

Stuart Gipp·Oct 6, 2021

Critic70/100

Agreement—

Unfortunately, these issues make the product feel cheap, which does the quality of the actual fighting a tremendous disservice. Again, it’s the best Smash clone we’ve ever played – we just wish Nickelodeon had shown some confidence in it.

Push Square

Stuart Gipp·Oct 4, 2021

Critic70/100

Agreement—

So it's a very, very good remaster (remake? It's unclear when this much has been done over), then, of a rather old loot game that has had many subsequent iterations from other developers. Is it worth going back to Diablo 2, ultimately, when games that we'd argue are somewhat superior - Titan Quest, the sadly PC-only Grim Dawn... even (controversially, yes) its own sequel in Diablo 3: Ultimate Evil Edition, which packs in brilliant local co-op that Diablo 2 entirely (and understandably, given its framework) lacks. As good as Diablo 2 is, it's an unfortunate fact that on console we'd rather play its follow-up, which felt more tailored to the joypad experience. Diablo 2 is a PC game that has been (brilliantly!) transferred to PS5, but it's still a little held back by its origins.

Push Square

Stuart Gipp·Oct 4, 2021

Critic60/100

Agreement—

Still, it all looks gorgeous, moves smoothly, and sounds exuberant as ever. We'd say that for Monkey Ball fanatics this is a bit of a must, but then said fanatics are the ones who will notice the cracks more than anyone else. So we're not sure, ultimately, who this is for. Newcomers may find themselves wondering what all the fuss is about.

Nintendo Life

Stuart Gipp·Oct 3, 2021

Critic60/100

Agreement—

Antonball Deluxe is, overall, a tricky game to review. As a solo game it's an easy pass, but on multiplayer we can see it clicking with the right group. It didn't set our world alight, but its simple charms may just work for you and your mates.

Nintendo Life

Stuart Gipp·Oct 1, 2021

Critic70/100

Agreement—

UnMetal is a tricky one, really. It doesn't play brilliantly and we didn't really find it funny at all, but it is consistently presenting new and entertaining ideas to complement the core simplistic stealth gameplay, with plentiful genre changes and a metric ton of references, callbacks and metahumour that will definitely appeal to plenty of people. We're old and jaded, though, and we've seen a lot of self-deprecating humour in video games - this stuff goes right back to the likes of the ZX Spectrum, for goodness' sake. Still, we recognise the very clear surplus of enjoyable content that's been crammed into UnMetal and its appeal should not be disregarded simply because we found it a little familiar. It never lets up with the gags, subversions and new sights to see all the way through its surprisingly robust length, and it doesn't forget to make the actual stealth enjoyable to boot. Definitely an impressive effort that assuredly deserves to find an audience.

Push Square

Stuart Gipp·Sep 27, 2021

Critic70/100

Agreement—

Ultimately, poor combat fails to sour the strong level and encounter design here that meshes beautifully with well-thought-out controls and plenty of mechanical variety. An impressive sequel, but perhaps lacking the purity of its predecessor.

Nintendo Life

Stuart Gipp·Sep 20, 2021

Critic80/100

Agreement—

Metallic Child delivers a compelling, dialogue-packed and seemingly fully-voiced quasi-roguelite anime adventure with quite some aplomb, and is certainly an impressive achievement from apparent solo dev Studio HG. The price is right and it's only some issues with repetitive gameplay that bring the title down a little. There's plenty to see and do and a meaty adventure to get stuck into, with "achievements" to unlock and permanent incremental upgrades to purchase with dropped currency as you smash your enemies to pieces. An impressive debut that's very clearly made by someone who understands how important feedback is to a game like this; it's a slick, exciting robot-smashing fest for your Switch.

Nintendo Life

Stuart Gipp·Sep 3, 2021

Critic60/100

Agreement—

Dodgeball Academia does admittedly come together in a rather compelling way, but we're critical of the independent elements that make up this package. You might find yourself caught up in the storyline, which could potentially make up for its other shortcomings, but we found it a little disposable. It's clear that love has been poured into this adventure and it's absolutely superb to look at and listen to - we just wish the central sport was a more enjoyable to play and the dialogue wasn't so interminable. You might dig this game more if you get hooked into the grind, so to speak - battles are over quickly and levelling up is always fun - but overall, if you're not willing to get by on sheer aesthetics, you might want to dodge this one.

Nintendo Life

Stuart Gipp·Aug 31, 2021

Critic90/100

Agreement—

Making The Doctor a background character was a stroke of genius in making the cast (and you, the player) seem vulnerable – much like “Blink”, there’s a real sense of atmosphere to this game. It’s so well done that it almost seems effortless, with only its short length and a few less organic moments of the introductions to new mechanics clashing with the necessity for the narrative to move forward. Overall, though, it’s easily, comfortably the best Doctor Who game we’ve ever played – yes, even better than Dalek Attack on the Amiga. So good, you won’t want to blink. But you should, or your eyes will crust over.

Push Square

Stuart Gipp·Aug 30, 2021

Critic90/100

Agreement—

The 20 or so hours we spent completing Psychonauts 2 saw us indulging in plentiful side quests and content, simply to spend more and more time in a world we still don't feel entirely done with. There are very few games that offer an experience as good as this, with ingenious level design and heavier themes that never feel sludgy or, more importantly, preachy. Brilliant aesthetics go hand in hand with tremendous gameplay here and it's a genuine delight to say that it's all been worth the wait. It's so good, in fact, that we now want the original Psychonauts to be remade in this engine, with this fidelity, in order to finally do it justice. Psychonauts 2 is consistently creative, enormously fun to play, visually inventive and spectacular and spins a cracking yarn to boot.