An indie adventure with the confidence of heavy hitters like Undertale, Chicory: A Colorful Tale is one hell of a pleasant surprise that excels on every level it is possible to do so. Would it be too hackneyed to say it belongs in an art gallery?
Hurt only by the Switch's take on its visuals, Mundaun delivers above and beyond its appearances and offers a robust, constantly compelling adventure game. It isn't particularly scary, but it is rich in atmosphere and hosts plenty of gameplay variety and good ideas. We found that it never compromised its tone or fell foul of any gameplay glitches, although as mentioned the visuals aren't quite up to snuff. It's a minor thing, though, as Mundaun should keep your attention from beginning to, well, one or more of its multiple endings.
This game didn't need to be a roguelike, and the quirks of its structure cast a bit of a pall over the entire product. There's an abundance of content here, with multiple campaigns per faction and plenty of scope for tactics... but enough of it falls into the category of "luck of the draw" that it's somewhat outrageous just how much essentially unchanged content it makes you play through over and over again when you fail - or even when you succeed. Warhammer fans will likely enjoy the lore drip-feed and typically portentous writing, but everyone else should probably steer clear of Age of Sigmar: Storm Ground. An impressive game for sure, but not in the way that counts most.
Exploring Sludge Life's perfectly-sized world simply doesn't get old and the game runs well enough to make you forget about its occasionally-finicky first-person platforming sections. There's plenty to see and do, find and utilise, and multiple endings to seek out. It won't outstay its welcome and we've got no doubt you'll want to return to Sludge Life just to vibe inside its fascinating little world again - when it's done, you won't feel like you've seen enough quite yet. It's certainly not perfect but it's a life, alright, and an enjoyable one.
Despite this change in focus it's still good fun to blast through, but in going for the modern “war of attrition” style of difficulty, Resurrection removes itself from its roots and therefore its identity. The punishing platforming is still enjoyable, but rather than cursing your own lapse of skill or concentration, you'll be asking how you could possibly be expected to have avoided the latest absurd, screen-filling obstacle.
Just Die Already is an enjoyably mean-spirited game that would cross the line into hateful if it wasn’t so gleeful in its disrespect for elders. Less Octodad, more octogenarian, a surplus of the usual physics sandbox glitches don’t detract from fun that's as densely packed as the very coffins you're dodging.
We can't lie - we hated The Longing. We hated every second of playing it for review. Is it a resounding success at presenting all of its themes? Is it thought-provoking in a way that few games manage? Is it an exhausting slog we wouldn't wish on our worst enemies? The answer to all these questions is yes. But, with all that said, you cannot help but respect the developer's audacity and unwavering commitment to their principles. What the game sets out to do it accomplishes with flying colours, and it's filled with clever ideas and meditations.Ultimately, The Longing is one of those video games that defies traditional scoring metrics. What kind of score would you give a game that succeeds so triumphantly at being utterly, utterly tedious? A one? A ten? It feels inadequate and somewhat trite to split the difference, but here we are.
There's something just a tiny bit cynical about the "please like me!!" cutesiness of Rain On Your Parade, but despite our best efforts we ended up doing so. Just. It coasts on "what will they do next?" novelty rather than any kind of meaty, significant gameplay, but sometimes that's okay. It's something new, which is appealing, and the toybox feel of the proceedings lends itself to a broad appeal – we can see young kids and people who vibe with its twee presentation getting a kick out of it. If you've had your fill of 'cutesy', though, you might find yourself hoping for a break in the clouds.
One of those rare titles that takes inspiration from the classics but manages to forge its own identity, Smelter is a breath of fresh air that uses its influences very wisely, assisted to excellence by generally pretty terrific level design with only a handful of lesser segments bringing things down just a tad. The proceedings feel confident, original and polished, with gorgeous graphics and an outstanding soundtrack that calls to mind the likes of Mega Man X4 for its action stages and evokes Yuzo Koshiro's majestic ActRaiser score for its side-scrolling levels.
Imagine Donkey Kong Country with none of the flair, none of the momentum, none of the secrets, none of the style and none of the grace. It doesn't even have a funny face. There's very little to get your teeth into here, though die-hard platform game fans may get some measure of satisfaction from its limited, low-risk take on the genre. We must reiterate – Stitchy in Tooki Trouble is not a badly-made game, it's just a relentlessly unimpressive one that offers nothing new or even any kind of twist on an existing trope or mechanic. A sequel to Stitchy that perhaps saw fit to include something - anything - to make the game stand out, that could marry its impressive visuals with similarly good level design... now that would be worth a go. As it stands though, this scarecrow excels its most famed pop-culture analogue by lacking a brain, a heart and any courage to speak of.
What seemed unimpressive in 2004 now feels enjoyable and imaginative, and we're not sure what that means, exactly. It's simultaneously cheerful and challenging, and there's a lot of joy in the journey as well as the destinations. The cursed spectre of 'gameplay variety' (read: jack of all trades, master of none) looms over the material, but by making the diversions brief and ultimately simple it manages to keep the player guessing to an extent throughout its languid twelve or so hour runtime. Some backtracking and minor camera issues bring things down a touch, but overall Ty the Tasmanian Tiger 2: Bush Rescue is a surprisingly solid slice of character action, and one we fear may have been underserved at the time of its original release. This is not just a sequel that's content to rest on its laurels, and that's worthy of respect. Hooray! We made it through the whole review without any silly, lazy Aussie clichés. That's bonzer, mate!
Here's the thing, and it's a bit of a kick in the pants. Genesis Noir is a very cool, very interesting and exceptionally well-presented game. It tells its esoteric story in an effective, exciting way with a litany of memorable visuals, fantastic artwork and a genuinely brilliant soundtrack. And, unfortunately, we simply can't recommend playing this compromised, ill-fitting, arduous and glitchy Switch port in the slightest. Maybe it's just us, but knowing we could be experiencing the spectacle of this clearly brilliant piece of art in a much higher resolution, at much greater fidelity, and with an order of magnitude less frantically wriggling the left analogue stick because we're convinced the game has broken is just a sobering reason to ask why we would even bother if this version isn't your only option. Even if you do only have a Switch, we'd recommend waiting until you have something else. This is a game that deserves better.
A strong showing for the Neo Geo Pocket Color, this is an eight-game compilation with seven avowed recommendations. That's a pretty high ratio, and that tantalising "Vol. 1" in the title makes us hope and pray that more SNK handheld goodness is to come. Now that Match of the Millennium has been accounted for, after all, there's surely no reason to hold out on us vis-a-vis Card Fighters Clash, the absolute best game on the system. Sonic Pocket Adventure would be ace, too. But that's all speculation – in the here and now, Neo Geo Pocket Color Selection Vol. 1 is a great little compilation and all the better if you didn't buy all the previous standalone releases. If you did, is it worth the money? To this writer, yes, but you can quietly seethe about the financial imposition.
An absolute pleasure from start to finish, what Kaze and the Wild Masks lacks in originality it makes up for in the strength of its level design, responsive controls, kinetic move set and attractive visuals. Excellent, action-packed platforming through and through, with great gameplay variety and gimmicks that don't compromise on what the game is best at – challenging, fast-paced obstacle courses and deviously-hidden secret areas. Easiest sell? Kaze and the Wild Masks is to Donkey Kong Country what Freedom Planet was to Sonic the Hedgehog. Don't miss this one.
While it's a compelling package, Citizens Unite!: Earth x Space doesn't excel as an RPG in either of its halves. There's fun to be had, but it's obfuscated to some extent by technical issues and a lack of balance to its gameplay. That said, a lot of love has obviously been poured into this title and if you like your games with a bit of a unique personality, that's very much in evidence here. If you've already played these RPGs before, there's not enough here to draw you back for a repeat play, but new players might find this worthy of their hard-earned cash – if they're willing to put up with some rough edges.
