While Phantom Liberty doesn't stand head and shoulders above the rest of the Cyberpunk package, it slots in nicely, like a preem piece of cyberware you've been waiting to be in stock.
Lies of P uses the familiar, the highlights, and the lessons learned from the authors of the Soulslike subgenre to create something unique, fascinating, and exhilarating.
Immortals of Aveum is proof the first-person shooter genre still has plenty of room to grow outside of the usual, expected releases.
Illusion Island doesn’t overhaul the platformer genre, but its distinctive no-combat focus on simply moving through Monoth keeps the trip amusing, brisk, and gratifying.
Oxenfree II: Lost Signals delivers what I have wanted out of a sequel seven years after the first game's release.
There's a linear action game in Final Fantasy XVI, and it's the highlight of the experience. But standard RPG tropes slow it down. Still, it's a Final Fantasy worth experiencing.
Parry Me Through The Dark on the Game Informer website.
Dead Island 2 is a worthwhile follow-up, especially for fans of the original, even if it's not breaking much new ground.
Crime Boss: Rockay City is a repetitive and boring experience with unremarkable gunplay, uninspired stealth, and lackluster action.
Rytmos feels designed with musicians in mind, but puzzle fiends will also find a chill afternoon of challenges to play through here, too.
After nearly a 10-year gap, Theatrhythm is back and it's better than ever.
When The Cosmic Shake is at its best, it sounds, looks, and plays like the kind of game I would have begged my parents to buy me growing up. But when it falters, it’s boring.
Players looking for deep customization, expertly crafted strategy RPG combat, and a heartfelt story with adoration for more than 30 years of Fire Emblem history will find that and more in Engage.