Digimon Survive is one of the best visual novels to come out so far this year, with plenty of heart and tension to carry you through to the final act. Fans looking for an engaging story with well-written and presented characters that deal with life-and-death situations will enjoy the ride, while players focused on the combat will probably find that the game comes up short. Despite its sluggish, padded start, Digimon Survive is well worth the long wait.
Tomodachi Life: Living the Dream is the strangest thing you'll play from Nintendo, bringing with it laughs and creativity in abundance. But even with improvements over the 3DS game, it follows a familiar structure that isn't always enthralling or hilarious.Tomodachi fans will certainly be living the dream with this new entry, but I'm not desperate to keep coming back to my island. A little more variety would've been welcome, but the customisation, and the thought of my cat being best friends with DMC's Dante, will have me peep in every so often for a little pick-me-up.
Make no mistake about it - Flinthook is a really well crafted, charming and fun experience. To a certain extent, however, it feels impeded by the constraints of its genre. It is one of tightest action platformers and addictive rogue likes around, but due to the randomly generated levels, you will encounter the odd frustrating spike in difficulty or structurally very similar areas in close proximity. These complaints are reduced to niggles though due to its charm, personality and action packed gameplay. This trek across the galaxy is sometimes a tough and repetitive one, but it's also incredibly enjoyable.
The Trail: Frontier Challenge is too much of a barebones experience for us to give it anywhere near a solid recommendation. The act of getting about is minimal when it comes to interaction, and the performance issues turn the game into far too much of a slog. The skill tree and the art style itself are two brief high points, but they're not enough to make us recall this trip through the countryside with any degree of fondness.
Bleed 2 is a game that prides itself on giving the player a memorable and distilled experience that gets at the heart of what makes arcade games great. Those looking for a deep well of diverse content will find themselves dissatisfied, but those looking for a game about raw, fun gameplay will find more than enough satisfaction in the nearly endless options for replayability. We'd give Bleed 2 a strong recommendation; it combines charming presentation and tight mechanics to provide an experience that's as focused as it is enjoyable.
Packet Queen # features a new, enjoyable type of puzzle gameplay that has you making fast decisions on the fly, and can start to feel pleasingly addictive, but a lack of content and a completely unnecessary story mode that ends in disappointment make the title fall short of greatness. For its relatively low price the game isn't a bad option for passing the time, but the puzzle gameplay itself needs to be placed within a much better overall package than it is currently to truly impress.
A competent and authentic 8-bit experience, A Hole New World will be enjoyed by many a retro fan out there, but the some of its mechanical elements are faithful almost to its detriment. Travelling between the dual worlds is cool, but utilised without much ambition or variety. While certainly not a bad game, the methods employed to enforce difficulty feel cheap and frustrating, rather than motivating or rewarding. A few of the bosses are visually impressive, but there isn't much here structurally or gameplay wise that particularly stand out . If you're looking for another title with more nostalgia and 'traditional' challenge rather than sadistic, fast-paced, twitch-based platformers, then A Hole New World is an adequate game that will bring back many memories of the 8-bit era, for better or worse.
NORTH is not a video game, per se, at least not in the traditional sense. It is an interactive piece of electronic art one can choose to indulge in order to better understand the plight of refuges. As such the messages might escape those who are too young to understand the real-life parallels or those who are too old and with prejudice to care. If you like cyberpunk science fiction and don't mind experiencing simulated oppression, give this a shot. There is certainly nothing quite like it on the eShop and for the asking price and a mere moment of your time will give you modern society conundrums that will haunt you for years. The experience is so subjective we have no choice but to leave the score for each individual to settle on their own. The biggest tragedy here is not that number on the bottom of the review, but the fact that if this ‘interactive art piece' was released 100 years in the past or a century in the future, the lingering topics would and will surely still be completely relevant.
Subsurface Circular is a landmark moment in interactive storytelling. The elegance of its escalation is simply unmatched, as it tells a story that makes you feel like you're in completely over your head, and yet still perfectly believable. The characters you meet along the way all feel unique with their own personality, which makes interacting with them a test of wit and cunning as you use the conversational mechanics to their full effect. There's nothing quite else quite like Subsurface Circular, and when that uniqueness is combined with the phenomenal narrative at hand, you have all the ingredients for a simply unforgettable and very special journey aboard the subway.
Bridge Constructor Portal is a fun and engaging puzzle game that does a great job of appealing to players of all skill levels while offering a relatively hefty amount of content. Though it sometimes feels like an awkward port and it doesn't always make the most of the crossover potential, it gets the core mechanics of puzzle solving right, and there's more than enough quality here to satisfy those looking to scratch that itch on the Switch. We'd give Bridge Constructor Portal a strong suggestion to anybody looking for a fun puzzle game on the eShop; this is a game that constantly makes you think outside the box, and there's nothing else like it available at the moment.
Fear Effect: Sedna is a flawed amalgam of disparate parts. It fails to wholly convince as an action, strategy or stealth game, and the delivery of its story is a little stilted. However, the sheer variety of its mix and its fresh visual style may prove enough to keep you playing through.
Paper Wars: Cannon Fodder Devastated is not a good game. It is not a bad game. It is a game. A harmless time-waster that will neither bring a revolution nor it will end the world by its quiet presence on the Switch eShop.
Grid Mania doesn't attempt to revolutionise the puzzle genre in any shape of form, but the things that it does well help to create a solid brain teasing experience. The four game modes offer an excellent initial set of levels with escalating difficulty, and then three distinctive twists on that core mechanic that could all even warrant their own game. Presentational setbacks aside, Grid Mania is well worth your time if you want to feel like a genius.
Mulaka offers a truly intriguing insight into the culture and mythology of the Tarahumara people, but is let down by some frustrating gameplay issues. Exploring and puzzle solving is a simple but enjoyable affair, and there are elements of the combat system that show real promise, but some oversights surrounding the game's pacing and controls leave quite a lot to be desired. If you're interested enough in learning about the topic it wouldn't be unwise to give the game a go despite its flaws, but players looking purely for great gameplay might want to ponder over it a little longer.
As the first otome game on Switch, Men Of Yoshiwara: Kikuya is both excellent proof of concept and an enjoyable piece of electronic erotica in its own right. With a memorable cast of courtesans, a generous amount of content split over several discrete routes and sub-scenarios, and affection-based unlockables, there's plenty here to keep you busy and blushing. The backgrounds and music give off a bit of a budget feel, and occasional text encoding issues and some steep (but infrequent) quality drops are blemishes on an otherwise well-written script, but overall, we'd certainly recommend a trip to Kikuya for otome fans.
The Final Station is a unique journey among the current Switch library you will not want to skip on, especially if you managed to stay away from the original PC release up to this point. World building and plot is brilliantly delivered by numerous little details of which we have rarely seen developers explore with such efficiency to deliver so much tension and sense of urgency from the player. Despite linearity, when you do reach the end game you can immediately jump into the ‘The Only Traitor' DLC included in the Switch version, which will enable you to experience the same events under a new character. Make sure you don't miss out this train ride.
