Digimon Survive is one of the best visual novels to come out so far this year, with plenty of heart and tension to carry you through to the final act. Fans looking for an engaging story with well-written and presented characters that deal with life-and-death situations will enjoy the ride, while players focused on the combat will probably find that the game comes up short. Despite its sluggish, padded start, Digimon Survive is well worth the long wait.
Tomodachi Life: Living the Dream is the strangest thing you'll play from Nintendo, bringing with it laughs and creativity in abundance. But even with improvements over the 3DS game, it follows a familiar structure that isn't always enthralling or hilarious.Tomodachi fans will certainly be living the dream with this new entry, but I'm not desperate to keep coming back to my island. A little more variety would've been welcome, but the customisation, and the thought of my cat being best friends with DMC's Dante, will have me peep in every so often for a little pick-me-up.
Fear Effect: Sedna is a flawed amalgam of disparate parts. It fails to wholly convince as an action, strategy or stealth game, and the delivery of its story is a little stilted. However, the sheer variety of its mix and its fresh visual style may prove enough to keep you playing through.
Mulaka offers a truly intriguing insight into the culture and mythology of the Tarahumara people, but is let down by some frustrating gameplay issues. Exploring and puzzle solving is a simple but enjoyable affair, and there are elements of the combat system that show real promise, but some oversights surrounding the game's pacing and controls leave quite a lot to be desired. If you're interested enough in learning about the topic it wouldn't be unwise to give the game a go despite its flaws, but players looking purely for great gameplay might want to ponder over it a little longer.
Grid Mania doesn't attempt to revolutionise the puzzle genre in any shape of form, but the things that it does well help to create a solid brain teasing experience. The four game modes offer an excellent initial set of levels with escalating difficulty, and then three distinctive twists on that core mechanic that could all even warrant their own game. Presentational setbacks aside, Grid Mania is well worth your time if you want to feel like a genius.
Paper Wars: Cannon Fodder Devastated is not a good game. It is not a bad game. It is a game. A harmless time-waster that will neither bring a revolution nor it will end the world by its quiet presence on the Switch eShop.
As the first otome game on Switch, Men Of Yoshiwara: Kikuya is both excellent proof of concept and an enjoyable piece of electronic erotica in its own right. With a memorable cast of courtesans, a generous amount of content split over several discrete routes and sub-scenarios, and affection-based unlockables, there's plenty here to keep you busy and blushing. The backgrounds and music give off a bit of a budget feel, and occasional text encoding issues and some steep (but infrequent) quality drops are blemishes on an otherwise well-written script, but overall, we'd certainly recommend a trip to Kikuya for otome fans.
Hollow is an incredibly ugly game with the kind of plentiful technical issues that make it actively difficult to play. Those with a masochistic streak might derive some pleasure from its abrasiveness and its downbeat tone, but most Switch-owning horror fans would be much better served playing through Resident Evil Revelations and its sequel for the umpteenth time.
A Normal Lost Phone is a tough game to recommend. The concept is intriguing and there's a genuinely interesting narrative at the center of the experience, but it's all so fraught by poor execution and mediocre presentation that we can hardly suggest you pick this one up. You could do a whole lot worse for three bucks, but you're also getting exactly what you pay for and nothing more. If you have some credit leftover in your account from another eShop purchase and feel like distracting yourself with a mildly entertaining adventure game, this one may be worth a look, but you'd best take a pass.
The Final Station is a unique journey among the current Switch library you will not want to skip on, especially if you managed to stay away from the original PC release up to this point. World building and plot is brilliantly delivered by numerous little details of which we have rarely seen developers explore with such efficiency to deliver so much tension and sense of urgency from the player. Despite linearity, when you do reach the end game you can immediately jump into the ‘The Only Traitor' DLC included in the Switch version, which will enable you to experience the same events under a new character. Make sure you don't miss out this train ride.
If you played and enjoyed the previous versions, there are enough new additions to warrant a new visit while players meeting Watt and Volt for the first time will find this a rather pleasing package whose only really fault is the fact that is landing on a console with a library filled with several other exceptional platforming games.
Mercenary Kings: Reloaded takes some serious steps to breathe new life into the gun-toting, fast-paced arcade shooter, resetting your expectations by adding RPG elements such as weapon crafting and loot drops into the mix. It's ambitious, but also sorely repetitious, lacking in mission variety and the kind of enemy AI needed to make the grind feel worthwhile.
Charming, challenging yet never frustrating to the levels of the designed to do so Super Meat Boy, this little triangle that could might just turn you into a geometry fan for life. Recommended from every angle.
CA roguelike at heart with a rhythm-game soul, Crypt Of The NecroDancer is a sublime experience that's a must-play for fans of the genre(s). Its upbeat, uptempo take on dungeon crawling is infectious, and there's enough content here to last even the savviest of spelunkers for many, many dance-fuelled dives into the depths — if you've never tangoed with the COTN, this fully-featured Switch edition is the perfect way to jump in.
Dragon Sinker is fortunately no ‘Dragon Stinker'. True, there is nothing you haven't seen before a couple of decades ago and there is little reason to once again venture into this quest if you happen to have played it on another platform previous to this release. But nostalgia is a powerful force and what the game does, it does so quaintly and provides many hours of blissful, care-free JRPGing tropes. Not revolutionary but still a very welcome choice for Switch owners with a retro itch. If you do love JRPGs, miss the simpler days and enjoy getting out of a game as much as you put into it, we have little reasons not to recommend you give this quest a go.
