Digimon Survive is one of the best visual novels to come out so far this year, with plenty of heart and tension to carry you through to the final act. Fans looking for an engaging story with well-written and presented characters that deal with life-and-death situations will enjoy the ride, while players focused on the combat will probably find that the game comes up short. Despite its sluggish, padded start, Digimon Survive is well worth the long wait.
Tomodachi Life: Living the Dream is the strangest thing you'll play from Nintendo, bringing with it laughs and creativity in abundance. But even with improvements over the 3DS game, it follows a familiar structure that isn't always enthralling or hilarious.Tomodachi fans will certainly be living the dream with this new entry, but I'm not desperate to keep coming back to my island. A little more variety would've been welcome, but the customisation, and the thought of my cat being best friends with DMC's Dante, will have me peep in every so often for a little pick-me-up.
Disco Elysium: The Final Cut is an absolute triumph. The narrative and dialogue, which is already wonderfully compelling on its own, has been given a massive boost thanks to the excellent voice acting introduced for the Final Cut. The gameplay features a host of branching paths for you to explore, and while the slow, methodical approach may turn a few people off, this is nevertheless one of the most well-told stories in any medium from the last few years. The performance issues at the time of writing slightly took the shine off things - and we hope they're ironed out soon via updates - but even with them present, Disco Elysium: The Final Cut stands as one of the best RPGs available on Switch.
At just two - three hours in length, A Juggler’s Tale is a lean experience with little fat on the bones (though may still be a tad on the short side for some). Nevertheless, it’s a shame that the developer leant on the same type of puzzle for much of the game, as it makes certain areas feel repetitive as a result. If you’re a fan of games like Limbo and Inside, this is a nice alternative; just don’t go expecting a game of the same calibre or quality.
Beast Breaker is the epitome of a hidden gem, and we would highly recommend you give it a shot. Like its main character this game may be small, but it proves to be exceedingly effective at what it sets out to do. Creative, engaging gameplay and a surprising amount of depth combine to make for an experience that may surprise at just how much it hooks you.
Nickelodeon All-Star Brawl is a solid platform fighter with an awful lot of hidden depth, and also an unfortunate lack of polish outside the fighting. If hardcore gameplay is the number one concern you'll have a wealth to sink your teeth into here, but expect to be underwhelmed by various elements that surround it. There's a grand old time to be had, but it's no Super Smash Bros. (damn it yet again).
More sophisticated curation would have made this a genuinely new way to engage with games and gaming: a prompt to see all games in a new light, promote the whole indie game proposition and popularise the appreciation of gaming as – ugh, dare we use the word? – "art". But the star feature is instead just an animated menu. As it stands, Short Games Collection is great if you can bring some inquisitiveness and insight of your own to the table – the games themselves are worth the time – but it's nothing more than the sum of its parts.
Tetris is one of the greatest video games of all time, and Tetris Effect: Connected is perhaps the best iteration of the classic puzzler yet. While this Switch port doesn't offer a great deal over existing versions in terms of features, it delivers the one key ingredient that its rivals cannot: portability. Sure, some will argue that Tetris Effect: Connected's unique brand of synesthesia only really comes alive when played on PSVR or an Oculus Quest headset, but we'd argue quite passionately that this game benefits far more from the ability to pick it up and play whenever, wherever. Just as the Game Boy and Tetris combined to create an irresistible, world-conquering fusion back in 1989, Tetris Effect: Connected has finally found the hardware that allows it to truly shine, making this an utterly essential purchase for all Nintendo Switch owners. Just don't forget those headphones.
Monster Crown is a decent game that falls short of greatness in a few areas. Legitimately cool ideas with breeding and an overall solid combat system are let down by lackluster monster designs and performance issues. Then there's the elephant in the room, which is that Monster Crown ultimately feels like a jankier and less addictive version of the oldest Pokémon games. We'd still give this one a recommendation, as the bones of the experience are good enough that its worth a punt for big Pokémon fans pining for the 8-bit days, but you might want to wait for a sale with this one.
Aeon Drive isn't quite up there with modern platforming classics like Celeste, but it's pretty darn close nevertheless. While its narrative won't win any awards, this is simply a supporting backdrop to the fantastic gameplay on offer. Bolstered by solid performance and minimal loading screens, racing through the levels feels exhilarating as you jump, slide, and teleport your way through the maze-like environments. With an online leaderboard to satisfy your competitive nature and added multiplayer to boot, Aeon Drive is a speedrunning triumph that absolutely deserves your attention.
FIFA 22 marks the third time EA has given us FIFA 19 with a different shirt on. It may clearly state Legacy Edition on the title, but being kicked in the groin isn't any less painful if your assailant tells you they're going to do it in advance. Once again, EA has insulted Switch owners by giving them the version it usually releases on dead systems. Do not accept it.
Embr has the potential to be a good time, a slapstick bit of carnage with friends that provides a decent amount of missions to blast through and plenty of unlockables and variations on modes to keep you and your party of first responders busy. However, on Switch this potential goes almost entirely unrealised as the online component of the game is a bust. Get a few Switch-owning friends to set up a match and you may find some fun here but without crossplay, and factoring in a few other gameplay irritations, this one is quite hard to recommend on Nintendo's console.
Antonball Deluxe is, overall, a tricky game to review. As a solo game it's an easy pass, but on multiplayer we can see it clicking with the right group. It didn't set our world alight, but its simple charms may just work for you and your mates.
The Forgotten City is a brilliant piece of narrative work that feels like a time capsule of Skyrim's jank, revitalised with a gripping story that's just long enough that it never loses momentum. It is, as always, hard to fully recommend a Cloud Version of a game that's available elsewhere in a more concrete form, but if you're accepting of the associated 'risks', this is a well-presented and brilliant time loop game and well worth a play.
UnMetal is a tricky one, really. It doesn't play brilliantly and we didn't really find it funny at all, but it is consistently presenting new and entertaining ideas to complement the core simplistic stealth gameplay, with plentiful genre changes and a metric ton of references, callbacks and metahumour that will definitely appeal to plenty of people. We're old and jaded, though, and we've seen a lot of self-deprecating humour in video games - this stuff goes right back to the likes of the ZX Spectrum, for goodness' sake. Still, we recognise the very clear surplus of enjoyable content that's been crammed into UnMetal and its appeal should not be disregarded simply because we found it a little familiar. It never lets up with the gags, subversions and new sights to see all the way through its surprisingly robust length, and it doesn't forget to make the actual stealth enjoyable to boot. Definitely an impressive effort that assuredly deserves to find an audience.
If there's an idea no one's done before, it's probably because it's just a bad idea. But Zoink has managed to hit on something original that actually works with Lost in Random. Its audiovisual world-building is tremendous, ably lifting a servicable quest structure and story, and inventive combat plays to its strengths and is taken carefully up to the limits of its potential. However, the layers of interaction during battles make a promise of strategic complexity that isn't kept, and encounters last too long without the depth to sustain interest. Nevertheless, everything is packaged beautifully and Lost in Random doesn't outstay its welcome, either, leaving you craving one last roll of the dice.
