Graham Banas

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Graham Banas·Jul 25, 2017

Critic90/100

Agreement—

Pyre marks Supergiant Games' third consecutive masterpiece. A bizarre blend of genres creates an excitingly original title aided by incredible world building and one of the most consistently interesting casts of characters we've ever seen assembled. This is all further enhanced by some outstanding artwork. Framerate issues and the odd difficulty spike detract from the overall experience, but can't prevent this outing from achieving excellence.

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Graham Banas·May 31, 2017

Critic90/100

Agreement—

Dating back to January of this year, Max's adventure has been quite a ride. After a couple of episodes that were pretty shaky, the French developer righted itself and delivered three consecutive home runs that absolutely blew us away, and this has culminated in a finale that delivers on everything that we could have possibly dreamed of. We definitely hope that Life Is Strange sees something of a second season, and we can't wait to see what DONTNOD does next.

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Graham Banas·May 8, 2017

Critic80/100

Agreement—

PREY continues the hot streak of big releases in 2017. While not flawless, this title offers an incredible sci-fi story about paranoia and the self, while sprinkling Arkane's always excellent gameplay on top. While things like the psychic powers fail to justify being in the game mechanically, the creative weapons and multiple gameplay approaches help to make the exploration of Talos-I really shine. Between the rewards for searching through the environments, and the fact that the game is a visual treat, a venture through this deteriorating Cold War-era space station is definitely worth your time.

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Graham Banas·May 3, 2017

Critic70/100

Agreement—

More a nifty little virtual reality experience than a game but with an almost overwhelming amount of charm, GNOG is delightful. While it by no means feels like a full-sized title, that doesn't mean it isn't fun. It may not take you too long to see all that it has to offer, but it's still an absolutely beautiful game that you'll want to get lost in.

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Graham Banas·Apr 26, 2017

Critic100/100

Agreement—

Giant Sparrow delivers beyond our expectations once again. A touching story about a tragically unlucky family hits all the right notes, making What Remains of Edith Finch a worthy successor to the studio's sublime The Unfinished Swan. A walking simulator with a smart delivery mechanism paints the picture of a family tree full of misfortune and sadness, but leaves room for some happiness and sunshine. Between the most realised home we've ever seen in a game, the incredible voice work, and the moving, intriguing story, this is the genre's new golden standard.

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Graham Banas·Mar 27, 2017

Critic60/100

Agreement—

The end result is complicated: it's a game we bounced off quite a lot but one we still greatly appreciate. The game does something new with the genre and it does it well for the most part, making the game worth at the very least giving a look.

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Graham Banas·Mar 5, 2017

Critic90/100

Agreement—

Night in the Woods is a truly magnificent adventure game. An eclectic array of different gameplay mechanics play off of a small American town vibe incredibly well. While the gameplay is fun and varied, the main attraction is the absolutely incredible writing. A college-aged life crisis story paired with some much darker and more sinister elements is used as the framework for developing some of the best-realised relationships we've seen in gaming. All of this set to an incredible soundtrack, while utilising a wonderful art style with exceptional use of colours that makes the experience that much sweeter. A few small complaints aside, this title offers a remarkable demonstration on how to write a game, and definitely stands out as one of the best Kickstarter releases we've encountered thus far.

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Graham Banas·Oct 16, 2016

Critic50/100

Agreement—

The Assembly isn't bad, but it's not good either. It's a puzzle game without enough puzzles, and a pretty forgettable plot. A massive downgrade from the PC version of the title, the visuals can induce headaches or nausea if played for too long, and this is made even worse by the fact that the game doesn't need to be in virtual reality to begin with. It's a title that's cynically riding on the coattails of VR novelty, and while that may make for smart business, it doesn't create a great experience.

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Graham Banas·Oct 15, 2016

Critic90/100

Agreement—

Thumper makes an incredible case for the future of virtual reality. With an incredible level of quality paired with a reasonable price of admission, this should absolutely be one of the first titles that anyone interested in making the most out of their new PlayStation VR headset buys. With blistering speed and intensity to go along some easy to learn, difficult to master gameplay mechanics, the future of rhythm games – and, by extension, virtual reality – is bright.

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Graham Banas·Sep 26, 2016

Critic40/100

Agreement—

Variable State's Virginia is by and large an unsuccessful attempt to make something interesting. An absolutely incredible soundtrack and great environmental art fail to lift the game from a bog of issues. There are some severe technical issues here, but real criticism should be pointed in the direction of the oftentimes incomprehensible narrative, which needed to be much stronger given the general lack of interactivity elsewhere.

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Graham Banas·Jul 29, 2016

Critic90/100

Agreement—

To put it simply, Hyper Light Drifter is incredible. Lovingly wrapped in a distinctly retro shell, the title fires on all cylinders. An intriguing, abstract narrative set in one of the most beautifully vivid world's we've ever seen helps provide a near flawless experience. Add in great combat and controls as well as an amazing soundtrack, and the end result is easily one of this year's must-plays. Its difficulty may scare away some, but for all who can cope, the experience is a truly rewarding one.

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Graham Banas·Jul 5, 2016

Critic70/100

Agreement—

Asemblance delivers an intriguing narrative based around a time looping mechanic, and makes a lot out of very little. The game may not have many environments to explore, but each one is carefully layered and crafted to allow the story to emerge at whatever pace you're able to keep up with. It helps that the title has genuinely interesting – and, oftentimes, unnerving – ideas, which, when paired with the menacing music, makes for an engaging experience.

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Graham Banas·May 3, 2016

Critic40/100

Agreement—

The Park is a bit of an oddity. A walking simulator with an incredibly brief runtime – 90 minutes at a leisurely pace – that nonetheless has some fun ideas sprinkled in. Actually riding the amusement park rides is a lot of fun – and effectively creepy in a couple of instances – but the rest of the game has nothing to offer other than walking really. Toss in some less-than-ideal performance hiccups and mediocre voice acting, and the title doesn't feel like it comes anywhere near justifying its price tag.

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Graham Banas·Mar 21, 2016

Critic60/100

Agreement—

Not quite as bad as falling into a pit of spikes, 101 Ways to Die is a serviceable physics-based puzzle game. Fun in short doses, it does enough right to warrant a quick look, but even though creating your own weird and wonderful traps is the title's main draw, the gameplay can outstay its welcome when the difficulty level begins to rise.

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Graham Banas·Feb 15, 2016

Critic70/100

Agreement—

This generation has seen a glut of puzzle platformers grace the PlayStation 4, but fortunately for those interested, Unravel is absolutely one that deserves attention. While it feels like more could have been done with its mechanics, the game's charming and has a great lead character. It's also sublimely presented. It's not quite the epic yarn that we were anticipating, then – but Coldwood's meticulous needlework makes it worth a look at least.