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The End Is Nigh

The End Is Nigh

Tyler Glaiel·Released Jul 12, 2017·Single player

Platforms
PS4PCSwitch
Genres
PlatformerAdventureIndie
Critic81/100
Across 3 reviews
AgreementData pendingNo votes yet
About

The End Is Nigh is a sprawling adventure platformer where the player takes control of Ash, one of few 'things' that have 'survived' the "end of the world." Follow Ash as he flops his way through a future of pain and suffering. Feel his stress levels rise as you throw him into an endless swarm of decaying, mutant creatures and help aid his final epic quest... to simply make a friend.

Reviews

4 reviews
Nintendo Life logo
Critic80/100
Agreement

There's no doubt about it - The End Is Nigh delivers excellent platforming. It's a manageable challenge from start to finish, and a game that becomes more and more enjoyable as you slowly adapt to its seemingly unforgiving design. At the same time you'll never feel completely unstoppable like you would in other notable platform titles. It keeps you on your toes from start to finish and has a balance few other games associated with this genre manage to achieve.Where The End Is Nigh falls short is the fact it doesn't expand a great deal on the initial foundations laid by Super Meat Boy many years ago. What we have here is a spiritual successor, but with the open-ended adventure elements not having as notable an impact on the game as you may expect. The main character and settings in this aren't quite as likable as Meat Boy and his own game world, either. In saying this, if you are a fan of the source material and happen to enjoy well-crafted and tough platform games, check this one out.

Read full review at Nintendo Life
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Rock Paper Shotgun logo
Critic
Agreement

I can't talk about The End Is Nigh without comparing it to Super Meat Boy because in so many ways it feels like a conscious alternative to some of the defining properties of that rapid, colourful, classic game. But measured on its own qualities, The End Is Nigh is a good game, but not a memorable one.

Read full review at Rock Paper Shotgun
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