Elden Ring is a crowning achievement for FromSoftware and undoubtedly the very best gameplay experience they've yet delivered - and that's really saying something given this developer's incredible back catalogue. The Lands Between deftly combine breathless open world exploration, stunning artistry, immaculate world-building and wondrous adventure with classic Dark Souls combat and dungeon-crawling, resulting in not just the best Souls game to date, but a candidate for one of the very best video games ever made.
Starfield is Bethesda's best RPG to date, an enormous space odyssey that serves up some incredibly evocative and engaging exploration, satisfying combat, and a narrative that had us hooked right to the end. Yes there are issues here with the usual jank, and some very messy and fiddly menus and interactions, but all of these problems feel minor when compared to everything this game gets right. In a year that's been packed full of absolutely essential games, Starfield manages to sit right up top with some of the best of them. After all the hype and bluster, this is just a very, very good RPG and a game we'll be playing and replaying for a long time to come.
Little Nightmares II is bigger and bolder, which builds upon the foundations from the first game. The game is host to a disgusting, decaying world that opens up as you progress through each chapter. Its inhabitants will haunt your dreams for days and the emotional connection it draws between Mono and Six with absolutely no dialogue is powerful. It is worth noting that certain combat encounters and high stakes moments can become troublesome and do provide occasional road blocks which prevent the game from reaching its full potential. As it stands though, Little Nightmares II is a thrill ride filled with visually striking moments of pure nightmare fuel, which may invite you to leave your lamp on for the foreseeable future.
We're stuck between a rock and a hard place with Werewolf: The Apocalypse - Earthblood, because while it definitely has its downsides (some of them potentially deal-breaking, especially if buying it at full price) we also enjoyed our time with it. Everything is built around its destructive combat, which remains engaging to the last, and if you're willing to deal with some average-at-best graphics, a mediocre story and a short running length, we still think you'll have a good time with this one. Give it a try, and it might just surprise you.
As a narrative focused experience, The Medium generally impresses. In terms of gameplay, it often just feels too easy and lacking in depth. But even with criticisms towards the latter, if you're looking to embrace a horror game for one dark night or two, The Medium is a worthy choice. It's clearly the vision of a team who loved the concept and wanted to take players on a narrative driven adventure, filled with dark themes and systems such as the dual-reality mechanic that feel integral to the story. If you can accept The Medium for the experience that it is, you're in for a good time, but dial back your expectations for the actual gameplay.
Hitman 3 is a superb final entry in what must now be regarded as one of gaming's truly great trilogies. This is a fittingly slick and satisfying send off for Agent 47, a succession of expertly crafted and endlessly replayable missions - omitting that final level dud - that sees our favourite assassin wind up his story in triumphantly fine form. IO Interactive really has brought all of their mission crafting expertise to bear here, resulting in a handful of levels that rank with the very best Hitman has to offer, and all while throwing in a couple of genuine curveballs and surprises as they go. This is essential stuff.
