Alex Stinton

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Alex Stinton·Oct 29, 2017

Critic90/100

Agreement—

Wolfenstein II: The New Colossus is a quintessential single player shooter, and contains one of the best campaigns in recent memory. Rammed full of memorable moments and brilliant characters, it takes you on a horrifying yet fascinating ride through a Nazi dominated world that – as a result of real world events – feels a touch less like fantasy this time around. While the story is undoubtedly the star of the show, the viscera drenched combat, satisfying weapons, and rewarding perk system more than hold up their side of the bargain. The single player game is dead, long live the single player game.

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Alex Stinton·Oct 16, 2017

Critic20/100

Agreement—

RAID: World War II apes the Payday series so intentionally that it's pretty hard not to view it as an ill-advised spin off. With dated presentation, tedious combat, and a consistently low player count, it actually feels like a step back when compared to Payday 2. Perhaps the biggest nail in its coffin, though, is just how buggy it is, with frequent crashes and broken scripting fanning the fires of your disappointment until it resembles the haunted look in John Cleese's eyes during the atrocious FMV cut-scenes.

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Alex Stinton·Aug 22, 2017

Critic80/100

Agreement—

Given the origins of Thimbleweed Park as a Kickstarter project, it's not at all surprising to find that it's firmly aimed at a very specific audience. To that end it does deliver, with interesting characters, an enticing core mystery, and loads of puzzles, all wrapped up in a package that closely follows the tenets of the those classic Lucasarts titles.

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Alex Stinton·Aug 15, 2017

Critic80/100

Agreement—

Few would consider the combat in the various Saints Row games particularly memorable, so it's surprising to discover that the frantic, fast paced battles and excellent agent switching gameplay end up being the true heroes of Agents of Mayhem. While it's disappointing that the open world feels surplus to requirements at times, it's the 80s cartoon atmosphere and absorbing upgrade system that also help ensure that this is more than just a Saints Row spin-off.

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Alex Stinton·May 13, 2017

Critic90/100

Agreement—

Polybius is an excellent trance shooter which deftly delivers just enough sensory overload to thrill but not frustrate. While the lack of clarity about just what's happening on screen makes for a small but intended bump in the road, it's the strong core gameplay – which steadily introduces interesting twists to its formula the longer you play – stellar soundtrack, and excellent PlayStation VR support that'll blow your mind in all the right ways.

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Alex Stinton·Apr 20, 2017

Critic90/100

Agreement—

Whether you're looking to revisit a title from the heyday of the point-and-click adventure or coming to Full Throttle for the first time to see just why gamers of a certain age keep banging on about it, Full Throttle Remastered is the LucasArts adventure that feels most comfortable in the present day. With a focus on characters and story over complex puzzles, it feels like a premonition of the direction adventure games were to take over the next two decades, and it's a pleasure to see it get a new coat of paint and take to the road for one last ride.

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Alex Stinton·Apr 6, 2017

Critic80/100

Agreement—

It's really puzzling that in the past six years there hasn't been a lengthy procession of titles ripping off Bulletstorm's excellent skillshot system. Whether you're pulling enemies onto a cactus with your leash or slide kicking them into a furnace, this novel approach to causing carnage will keep you experimenting way past the conclusion of its hugely enjoyable campaign. While the story, dialogue, and characters are as laughably juvenile as you may have heard, it's the gameplay at its heart – along with the updated visuals – that ensure Bulletstorm's well worth revisiting.

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Alex Stinton·Mar 17, 2017

Critic60/100

Agreement—

While the overarching story in KONA will no doubt leave you cold, the tense atmosphere at the centre of its snowstorm setting will warm your desire to see it all the way through to the end. It should also be applauded for trying to add a surprising number of mechanics to what's ostensibly an adventure game, and while the survival gameplay ultimately feels superfluous, it at least works well in service of developer Parabole's presentational aspirations – which is more than can be said for the pointless combat and distinctly average collection of puzzles.

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Alex Stinton·Mar 14, 2017

Critic60/100

Agreement—

While Ubisoft has proven adept at successfully applying its open world formula to a lot of games over the years, Ghost Recon: Wildlands feels like the first one lacking any real identity. While it gives a good first impression with its impactful gun battles, visually distinct open world, and wide selection of weapons, it's ultimately the war of intentions at its heart – between the freedom and unpredictability of an open world on the one hand, and the preciseness of a strategic cover-based shooter on the other – that makes for a title that'll leave both sides of the battle disappointed.

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Alex Stinton·Feb 25, 2017

Critic50/100

Agreement—

Psychonauts in the Rhombus of Ruin delivers a passable tale that manages to capture the quirky aesthetic and humour of the original game. But its high price point, pedestrian puzzles, and failure to do much of interest with VR makes it something of a letdown overall.

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Alex Stinton·Feb 20, 2017

Critic80/100

Agreement—

By successfully meshing team based multiplayer with the sorts of mechanics you'd normally find in a fighting game, For Honor manages to offer an experience like no other on the PS4. While the skill barrier to entry will likely cause frustration for some, anyone who puts time into learning the extremely deep combat will find each hard-fought success immensely satisfying.

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Alex Stinton·Dec 23, 2016

Critic70/100

Agreement—

Steep is very successful at capturing the breakneck exhilaration of Alpine extreme sports, and with an atmospheric open world that's packed full of enjoyable challenges it picks up the mantel dropped by the likes of SSX well. While it doesn't quite hit the lofty peaks it's aiming for – mainly due to some poorly explained mechanics and the underwhelming multiplayer – you won't be piste-off if you decide to take the plunge.

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Alex Stinton·Dec 8, 2016

Critic80/100

Agreement—

While PlayStation VR owners should already be used to the premium entry fee many titles charge, your initial reaction to the cost of Pinball FX2 VR is unlikely to be positive – especially if you've already invested in the same tables for Zen Pinball 2. Despite all this, though, if you've ever found enjoyment at the apron of a virtual pinball machine this really is the definitive experience, and while the occasionally distracting presentation – a hallmark of Zen Studios – has been heightened in VR, you'll still find yourself flipping out over the just how easily you'll lose yourself chasing that elusive high score.

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Alex Stinton·Nov 18, 2016

Critic80/100

Agreement—

By throwing you into its gloriously open missions with a bag full of tricks, running wild in Dishonored 2's fascinating world of stealth playgrounds never fails to be both fun and challenging. While anyone who doesn't have the patience for its particular brand of methodical exploration will likely find the experience tedious, if you can commit to trying to ghost your way through its lengthy campaign, even disappointing shortcomings – especially in terms of its story – likely won't stop you from having a whale of a time.

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Alex Stinton·Nov 6, 2016

Critic70/100

Agreement—

Terror, exhilaration and nausea. It's a testament to the power of VR that such a simple, straight-forward game as Windlands has the ability to makes its players feel so much. The biggest problem of course is trying to work out just what it's going to make you feel. Fortunately, if you can master your stomach – with help from the numerous VR comfort options – and throw yourself in head first, you just might find a frequently thrilling experience that despite its frustrations is worth falling for.