
Weird West slings a few effective yarns, but fumbles when it comes to dealing in lead.


Weird West slings a few effective yarns, but fumbles when it comes to dealing in lead.

Rockstar's remastered trilogy is, appropriately, an absolute car wreck of creative neglect.

While the new features and missions are nice, the world around us has made Death Stranding better.

The newest iteration of Life Is Strange has a lot of love to give but just doesn't know where to put it.

Naraka Bladepoint's sharp new take on the Battle Royale formula gets off to a promising, but slightly awkward start

The Ascent looks and acts like a video game, but mostly feels like work.

Tell Me Why puts Dontnod's usual bag of tricks to good use in an empathetic but somewhat toothless narrative.

Mind Control Delete throws a few wild twists into the Superhot formula, but it might be too much of a good thing.

Project Warlock is an admirable shotgun blast from the past, but it doesn’t really have an identity of its own.

There's fun to be had in Harmonix's take on kinetic rhythm games, but it loses the beat in a few key areas.

With the newest update, No Man's Sky surpasses even its own far-reaching ambitions.

Double Fine's take on the post-post-apocalypse has a good couple of heads on its shoulders, but it's not quite the warrior of the wasteland it could be.

Justin Roiland's usual obnoxious humor is both the best and worst thing about an otherwise no-frills platformer.

Earth Defense Force: Iron Rain makes a few much-needed tweaks to the old formula, but it's still just another bug hunt.

With Take Us Back, Telltale's Walking Dead meets its true ending with the grace it deserves.