there's no denying that Age of Mythology’s gameplay can feel simplistic, which is ironic, considering how influential the series has been. Having played a bunch back in the day, the missed campaigns are appreciated, but we can’t see ourselves regularly returning to the well.
Dragon Age: The Veilguard isn't quite BioWare back to its absolute best, but it is the most cohesive and emotionally engaging RPG that the studio has delivered since Mass Effect 3. Its shift to crunchy action combat is an improvement over Inquisition's middle-of-the-road approach, and although the game feels a little light on meaningful player choice, the storytelling pulls no punches when it actually matters. This is a gorgeous and gripping adventure, backed by a cast of endearing heroes and deliciously devious villains.
On PS4, the release took the approach of being good at a great deal of things and spectacular at none, and this remains true. Each positive is balanced out by a negative. The primary antagonist is phenomenal, but she is underutilised. The game is stunning to behold, but frame hitches are common – especially on the 4K option. The combat is exhilarating, but the jumping and sliding puzzles leave a lot to be desired. The end result is an experience that is decent at just about everything, and easy to recommend. But as good as Fallen Order may be, if you look backwards in time, it’s not difficult to find superior Star Wars experiences.
The levels are creative, at least, with unique environments to explore like a medieval castle on a crescent moon, or a sprawling town atop a carrot cake. There are also more linear stages to find, and smaller islands you can fly off to, Super Mario Galaxy-style. While it makes some odd choices in its design, Togges just about wins us over with its experimental spin on platforming and no small amount of whimsical charm.
Not all of the mechanics work: we like scoring strikes in High Velocity Bowling, but MotorStorm’s route selection rails are a bit of head-scratcher. But there’s a thoughtfulness to all of the tables that’s easy to appreciate – especially if you’re fond of this very specific era of PlayStation’s first-party games.
The only major gripe we have is the severe screen-tearing. It's present throughout, and an unfortunate blemish on an otherwise very sleek game. VRR or a 120Hz-compatible display may solve this, but without those options, it's a slightly distracting technical hiccup. However, you're unlikely to notice in the midst of things, and Neon White is otherwise a highly entertaining, stylishly presented adventure.
Over seven years after its original release, The Witcher 3 is still a masterpiece. In its character writing and dialogue, it's yet to be surpassed, while its knack for telling so many engrossing stories is still seriously impressive. Although aspects of its gameplay haven't aged quite so well, there's no doubt that Complete Edition is the best version of a truly outstanding open world adventure.
Marvel's Midnight Suns is a hero on the battlefield, where its card-based combat is a hit. The release's more adventurous social aspects are conceptually interesting, allowing you to candidly interact with a spectrum of personalities, but the writing and cutscene direction simply isn't up to scratch. It means that you'll spend long stretches of gameplay itching to get back to the action, but the lure of the tactical battles with pull you through. It's an unusual, unfocused title at times, but one with character and ambition that's easy to appreciate.
The core arcade fighting, with its persistent clothing damage and blend of vivid 2D and 3D visuals, makes it a compelling curio for fighting game faithfuls. But the package as a whole falls short of expectations, and will either need major updates or a chunky price drop moving forwards.
Every time you use your partners’ skills, your relationship with them rises. They're pleasantly designed in a way that means you don't have ton rely on them, acting more as stun mechanics. In addition, these attacks help mask the game's numerous frame rate dips. Sadly, these drops, alongside your main character's stiff attacks, make Samurai Maiden's encounters much more frustrating than they should be.
Paper Cut Mansion offers some interesting dimension-hopping gameplay, enjoyable puzzles, and unique cardboard visuals that make it standout from similar titles in the genre. However, it's ultimately let down by its slow pacing and repetition of content.
Crisis Core: Final Fantasy VII Reunion is a top tier remaster of a flawed and often comically awkward spinoff. But for all of its angsty melodrama, the story of Zack Fair is an endearingly daft tale that only adds to the world of Final Fantasy VII.
Sadly, some of the joy of exploration is dampened by the stuttering framerate which frequently gets a bit choppy, especially when wandering through busier areas. You’re also likely to encounter bugs with things like merchants not having any stock for sale or your hoverbike disappearing. Reloading the game does seem to fix many issues, but these little niggles do begin to get irritating over time. It’s a shame as, apart from these issues, exploring Sable’s strange and mysterious land is an absolute delight.
Despite one or two small complaints, Need for Speed Unbound is a great arcade racer, finally getting the series back on track. The versatile handling feels fantastic, and the single-player offers a highly engaging campaign, pitting you against the cops and other racers in equal measure. The much talked-about cartoon effects succeed in bringing some flair to the experience, and it all runs wonderfully at 4K and 60 frames-per-second. If you can forgive a slightly underwhelming backdrop and a barebones online mode, the minute-to-minute action make this more than worth taking for a spin.
The Callisto Protocol is a consistently good game that, when it's at its best, gives many of the survival horror greats a run for their money. However, there's no getting around the fact the game has very little to truly call its own.
But ultimately, this game misses the target. If you’re itching for some footie amid the World Cup, and you absolutely can’t stand sims like FIFA 23, we suppose you might eke some mileage out of it. Otherwise, leave this one on the bench where it belongs.
In fact, the only area where it lets itself down is the UI. Games that use a cursor on console are starting on the back foot to begin with, but navigating what you can interact with is a particular nuisance in Norco. The cursor is fond of resetting, so you have to drag it all the way across the screen often, it's very easy to accidentally repeat dialogue choices, and sometimes it takes a few tries to hover over something before the interaction prompt actually shows up. Apart from this, the game offers a rich, fulfilling experience that you should try to experience as soon as you possibly can.