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Last reviewed: K-Pop Idol Stories: Road to Debut · yesterday
there's no denying that Age of Mythology’s gameplay can feel simplistic, which is ironic, considering how influential the series has been. Having played a bunch back in the day, the missed campaigns are appreciated, but we can’t see ourselves regularly returning to the well.
Dragon Age: The Veilguard isn't quite BioWare back to its absolute best, but it is the most cohesive and emotionally engaging RPG that the studio has delivered since Mass Effect 3. Its shift to crunchy action combat is an improvement over Inquisition's middle-of-the-road approach, and although the game feels a little light on meaningful player choice, the storytelling pulls no punches when it actually matters. This is a gorgeous and gripping adventure, backed by a cast of endearing heroes and deliciously devious villains.
Kingdom Two Crowns is a well presented, brilliantly simple strategy game that makes some smart changes to allow more players to get involved.
Subnautica sees you submerged in a vast and utterly breathtaking underwater world, teeming with secrets and polished off with an unsettling atmosphere that instigates a real sense of thrill as you play.
Nippon Marathon is a curious multiplayer game that unfortunately falls prey to its own over the top nature.
Desert Child is stylistically fantastic and has some of the more exciting racing gameplay we've seen this year, but it really suffers from its short length. There's an interesting, colourful world to explore in Olympia, but unfortunately things ends when it feels like Desert Child is just getting started. Still, it's an admirable effort from a talented one-man team.
Gungrave VR has a poorly implemented control scheme, a lack of story content, it doesn't take advantage of the technology available in the PSVR headset, and ultimately lacks enjoyment in its core gameplay. Unfortunately, Gungrave VR has failed to raise the series from the grave and we'd advise everyone to let this one lay to rest.
Thronebreaker: The Witcher Tales features some of the sharpest writing on PS4, and it's all embedded within a superb story stuffed with brilliant characters. Meanwhile, Gwent makes up most of the gameplay, and although the card-based system does have flaws, it's easy enough to look past them when the surrounding journey is so masterfully told. Ultimately, Thronebreaker is an easy recommendation for Witcher enthusiasts and fans of strategic RPGs -- a surprisingly robust and rich tale that shouldn't be overlooked.
PlayerUnknown's Battlegrounds manages to differentiate itself from its battle royale progeny with its more tactical spin on the formula, even with its obvious lack of presentational prowess. While its grounded approach can be brutal at first, if you take the time to immerse yourself in its stress inducing battles, you'll find yourself involved in epic engagements that will have you sharing your successes – and failures – with anyone willing to listen. It may not be the king anymore, but PlayerUnknown's Battlegrounds still more than deserves a place at the top table.
Override: Mech City Brawl is good fun with a friend or two sitting on your sofa, but it lacks the kind of depth that a smaller release like this needs to be consistently compelling. The game's got some cool mech designs and watching big robots tumble through buildings is always enjoyable, but it's just not quite enough to carry the rest of the release.
While Mutant Year Zero: Road to Eden has managed to build a cohesive system for tactical turn-based battles to take place in, it's far too difficult for the average player. Hardcore genre fanatics are sure to get a kick out of proceedings, but those looking for a more introductory take on things will find more frustration than progress.
Everything aside from the story is simplistic, but it doesn't matter if the puzzles are non-existent or that the graphics are basic, because The First Tree packs an emotional narrative and is a game that every indie fan should play as a result.
Just Deal With It is another disappointing addition to the PlayLink library. The online functionality will certainly be a selling point for some, but as a couch party game it fails to add any major draws that separate it from physical card games. It may do what it says on the tin, but that's about it.
Just Cause 4's traversal system can be wonderfully entertaining, and the chaotic, explosion-sim physics in play are frequently exhilarating, but they're manacled to a game that has absolutely no idea how best to use them. What's the point in giving players an array of tools that lets them cause wanton destruction on a gargantuan scale, and then designing a campaign full of drab, copy-pasted missions that barely require you to use them? It's a bit like getting the coolest BMX on the market for Christmas, but then your Mum tells you you're only allowed to ride it around the garden where she can keep an eye on you. Cheers, Mum.
Earth Defense Force 5 is an intentionally bad-looking and dated technical mess of a third-person shooter that boldly relishes in its campiness and mechanical simplicity. Mowing down the endless seas of extra-terrestrial arachnids and UFOs while melodramatic voice clips play in the background makes for an excellent stress reliever or a fantastically fun time with some friends, but its complete lack of depth causes the monotony of repetition to quickly seep into what's an otherwise joyous celebration of video game escapism. If this is your first giant bug slaying rodeo, there's plenty here to keep you keep you amused for dozens of hours, but it functions best as a distraction from our notably less zany reality.
Arca's Path is yet another title that PlayStation VR users won't want to miss. It's most importantly a relaxing and tranquil puzzler, but with a brand new way to play, controlling the experience with the movement of your head is an ingenious input method that proves how far the technology has come. Fun, inventive, and beautiful, Arca's Path should be played by every VR aficionado.
YouTubers Life OMG is an agreeable video-making tycoon game wrapped up in a few fundamental problems. The main gameplay loop is compelling, and it's a pleasure to watch as your subscriber tally and bank account start to soar. However, some poor presentation, a clumsy camera, and a couple of other small issues stop it from being the viral hit it wants to be. Those looking for a casual management sim to tackle may find some enjoyment here, but it's hard to recommend it to anyone else.