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there's no denying that Age of Mythology’s gameplay can feel simplistic, which is ironic, considering how influential the series has been. Having played a bunch back in the day, the missed campaigns are appreciated, but we can’t see ourselves regularly returning to the well.
Dragon Age: The Veilguard isn't quite BioWare back to its absolute best, but it is the most cohesive and emotionally engaging RPG that the studio has delivered since Mass Effect 3. Its shift to crunchy action combat is an improvement over Inquisition's middle-of-the-road approach, and although the game feels a little light on meaningful player choice, the storytelling pulls no punches when it actually matters. This is a gorgeous and gripping adventure, backed by a cast of endearing heroes and deliciously devious villains.
Final Fantasy Type-0 HD is a mechanically solid action role-playing game, but now and again, it feels far more like a straight port than a grand remaster. However, questionable visual effects and some pretentious plot points aren't quite enough to hold back the efforts of Class Zero. Even though it can take a little while to truly click, this is a unique and refreshing entry in Square Enix's beloved franchise, and one that's a prime candidate for an even better sequel.
Valley of the Yetis feels like a medley of Far Cry 4's greatest hits, and while none of the missions stray particularly far from the established formula, you'll still have fun scavenging for weapons and building your defences, which at least makes up for the disappointing Yetis.
A pastiche of ideas from Resident Evil's past, Episode Three: Judgment represents the best of Capcom's surprisingly enjoyable episodic series so far. Its ambition is modest, but the execution is good, with ridiculous plot beats, larger than life boss fights, and solid puzzles. Only the dismal environments let this instalment down, which are more lifeless than the corpses that you'll be pumping full of lead.
Hotline Miami 2: Wrong Number is certainly worth giving a go if you revel in action and the thrill of risk/reward situations. While newcomers may be left in the dark, fans of the first game will most likely complete it feeling pleased and satisfied. All things considered, Dennaton Games' second Hotline outing isn't quite as spectacular as it could have been – thanks to some flaws in its level design – but that isn't enough to make it anything less than great.
White Night does a lot right, delivering a great story which only dips slightly in the run up to its conclusion. The art style is fantastic, and while it hurts other things – like the visibility of the title's many collectibles – the trade-off is honestly worth it. Unfortunately, the release's biggest issues sit in the gameplay department, as it's exceedingly frustrating on far too many occasions. The end result is interesting, then, and worth experiencing – but perhaps not recommended for everyone.
Zombie Army Trilogy is an enjoyable co-operative shooter that's a lot of fun when played with others. Unfortunately, it runs out of steam all too quickly, giving you a severe dose of déjà-vu once you realise that you're playing very similar encounters, with only the backdrop changing. As a result, you'll have had enough of shooting zombies in the noggin well before you reach the end of its campaign, and while you'll look back fondly on the early hours that you spent with this title, you'll wonder if it was really worth bringing it back from the dead on the PS4.
Capcom already laid out its stall with the previous instalment, so Resident Evil: Revelations 2 – Episode Two: Contemplation can no longer be considered a pleasant surprise. This is another enjoyable romp, though, which sprinkles just enough new ideas into the experience to make it stand on its own. Most importantly, the action is much tenser this time around, and while it's still largely ridiculous, it will have you squirming at points.
Pillar should be applauded for its hand painted art style and atmospheric soundtrack, though ultimately it doesn't deliver on the promise of its unique setup. While the gameplay ties into various personality traits in some interesting ways, the puzzles are nowhere near challenging enough, allowing you to power through most of what this title has to offer in just a few hours. As a result, unless you have a penchant for unique indie titles, you won't need to take a test to work out that this probably isn't the game for you.
With friends, Helldivers provides a brilliant and addictive co-op experience full of thrills, spills, and hilarious accidental deaths. Gameplay is quick, satisfying, and often chaotic, and the stratagem system gives the action a unique identity. The only question mark here is the one that hangs over the title's community, which must be sustained if the shooter is to realise its impressive potential.
If the quality of the output remains this good, Advanced Warfare may be the first Call of Duty in years to actually deserve the purchase of the Season Pass. It adds some key stuff, including zombies, which will no doubt tempt even the stingiest of DLC shoppers. Whatever you're willing to pay for it, you won't be disappointed when you finally pull the trigger.
Who needs blockbusters when your local indie theatre is rolling out releases like this? OlliOlli 2: Welcome to Olliwood doesn't re-invent the wheel, but its subtle tweaks result in a vastly improved experience; Tony Hawk's promised Pro Skater reboot will certainly have its work cut out if it wants to top Roll7's latest take on the genre. Tight controls, top-notch levels, and tons of content ensure that this sequel makes a clean landing – the only stumble being that its excellent local multiplayer mode isn't quite ready for prime time yet.
It's hardly a revelatory release thus far – but this could yet be great.
Sadly, if you've been holding out for a more traditional Dragon Ball fighter, Dragon Ball XenoVerse isn't it. It is, however, a well realised and refreshing take on Akira Toriyama's universe, which allows fans to appreciate the source material from a whole new angle. Accessible, bombastic combat, entirely customisable characters, and some fantastic online functionality give the game a unique identity, and arguably make it one of the most ambitious licensed titles that we've seen in years.
There are some good ideas in this modern interpretation of Q*Bert, and we love that the original's included as part of the package, but iffy controls undermine the experience. It's a quaint little curio for fans of arcade games, then, but it's not exactly a must have.
Resogun: Defenders signs Housemarque's shooter off in predictably sublime style. Protector is arguably the game's greatest mode to date, offering everything that's enjoyable about the original – just at pulsating pace. Commando's not quite as successful, but it delivers an imaginitive twist on the existing formula, all with plenty of personality and panache. This is still, in this author's opinion, the PS4's best original game – and the frightening thing for other developers is that it just got better again.