there's no denying that Age of Mythology’s gameplay can feel simplistic, which is ironic, considering how influential the series has been. Having played a bunch back in the day, the missed campaigns are appreciated, but we can’t see ourselves regularly returning to the well.
Dragon Age: The Veilguard isn't quite BioWare back to its absolute best, but it is the most cohesive and emotionally engaging RPG that the studio has delivered since Mass Effect 3. Its shift to crunchy action combat is an improvement over Inquisition's middle-of-the-road approach, and although the game feels a little light on meaningful player choice, the storytelling pulls no punches when it actually matters. This is a gorgeous and gripping adventure, backed by a cast of endearing heroes and deliciously devious villains.
Persona 3: Dancing in Moonlight has some of the best music on the PS4, and mastering its beats is immensely rewarding. It's a top tier rhythm game that's sure to strike a chord with fans of the PS2 classic, but more than anything, it's made us realise just how desperate we are for a Persona 3 remake or remaster.
Darksiders hasn't changed much since 2012. It's still a fun mishmash of genres with a great protagonist and undemanding combat systems, but it's a pity that it feels outdated compared to its genre peers and stumbles when injecting Souls-like sensibilities.
While some may be disappointed with the lack of new features or gameplay additions in this string of DLC, the effortlessly fun swinging and fighting, along with an interesting narrative, makes it worthwhile for those who are happy to play more of Marvel's Spider-Man. The Heist continues the City That Never Sleeps story well, further developing characters we're familiar with as well as introducing us to a nasty new bad guy in Hammerhead. It's not the longest or most original DLC out there, but those looking for an excuse to keep playing will definitely be satisfied.
Each mission in Hitman 2 is a treasure trove of wonderful emergent gameplay, excellent satirical writing, and lashings of delicious, jet-black humour. The targets you'll hunt are almost universally rotters which thankfully takes care of any lingering moral quandaries you may have about their imminent demise. It's better that way. We really don't want to feel bad about tinkering with an old man's oxygen tank so it blows up and kills him when he sparks up a cigarette, do we?
Fallout 76 is a seriously shoddy attempt at trying to cash in on the multiplayer survival market. Fallout with friends is an intriguing concept on paper, but we can't think of many more ways that Bethesda could have screwed it up.
Battlefield V is going to be a great game, of that we're sure, but due to a number of glaring omissions at launch and one too many glitches, the final product isn't there just yet. Series veterans are sure to feel at home with what's on offer now, though, thanks to a solid multiplayer offering that sticks to the tried and true nature of what makes Battlefield tick.
An eerie open world filled with deadly AI enemies elevates The Forest above a good number of survival horror experiences out there. Don't let the lack of story and minor repetition turn you off this atmospheric title.
11-11: Memories Retold is an immersive, beautiful, and emotionally charged game. It's at its best when it functions as a playable film, with you making the major decisions. Where it falls down is in its clunky gameplay and story beats that are locked behind secret item collection. However, the strong celebrity performances and engaging story more than make up for this and create a really unique experience that is both thought provoking and enjoyable. As the subtlest World War game ever made, there's nothing more appropriate to play to commemorate the signing of the Armistice.
Knowledge Is Power: Decades is still the solid quiz game that its predecessor was, but other than that it's hard to argue a case for its existence. The visual style is fun and appealing, but the format is still too light on questions and there's not much in this year's edition that wasn't already in the original. It certainly does its job, but not much else.
Chimparty is fun in places, but the repetition and occasional frustrations of its minigames means it's not likely to stay that way for long. As a family game it's too fiddly to be enjoyable for a sustained period of time, though its visual style is appealing enough to soften the blows of the substandard gameplay. Mario Party it certainly isn't – hopefully there'll be some better family games coming to PlayLink sooner or later.
Road Redemption feels like a PS2 arcade racer, for better and for worse. The high speed violence is fun to play in the decent roguelite campaign, online, and single races, and a cheesy tone keeps it down to earth. Visually, it's a generation behind, the controls take some getting used to, and there are undeniable performance problems, but there's a certain boldness and "screw you" vibe that somehow overrides these issues. If you're looking for a straightforward game to let loose in, this is a deeply flawed yet surprisingly enjoyable biker brawler.
World of Final Fantasy Maxima simply continues to promote the celebratory vibe of the original game. New additions to the catalogue of both characters and Mirages truly encourage replayability, offering incentive to make return trips to Grymoire to tackle the many new endeavours they've brought with them. More classic Final Fantasy characters revived in a loveable art style not only act as a lure for younger eyes but also capture the essence of the franchise as a whole, no doubt provoking an appeal to FF aficionados too.
Tetris Effect takes you on an emotional rollercoaster through oceans and to other worlds. While its striking audiovisual achievements sing on a standard screen, virtual reality elevates the experience to euphoric new levels. And yet, for all the chatter of spiritual awakenings, there's a damn good game of Tetris here, bursting with inventive modes and beautiful visuals which will keep you hooked for potentially hundreds of hours.