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Last reviewed: Palworld · yesterday
there's no denying that Age of Mythology’s gameplay can feel simplistic, which is ironic, considering how influential the series has been. Having played a bunch back in the day, the missed campaigns are appreciated, but we can’t see ourselves regularly returning to the well.
Planet Zoo is, ironically, a relatively toothless park building game. It doesn't have the delicious chaos of the Jurassic World Evolution games or the thrills of building your own rollercoaster and then hoping it'll stay on the tracks in Planet Coaster. But it's a pleasant and charming game. There's an airy joy in creating a peaceful home for animals to live in, and the earnest conservationist slant of Planet Zoo is hard to fault.
Overall, Schim is a relaxing way to spend an afternoon. It’s not the kind of experience that’ll change your world, but if you’re looking for something a bit more laid-back and low-stress, you won’t go far wrong with this one.
It might not feel quite as new as its billing, but Kunitsu-Gami is still a lovely little game, with a seriously engrossing hook that'll have you wishing it was longer than it actually is. The plates it keeps spinning are impressive, even if it's actually a little slight in the final weighing.
Destiny is grindy, but it has an immensely satisfying gameplay loop and a rich story. Outriders doesn't have the best plot or visuals, but each class has a wide variety of powers that synergise brilliantly, meaning each build is unique to how you want to play and combat is worthwhile for its own sake. The First Descendant has the stand-out Colossi battles, but everything leading up to them is so mind-numbingly tedious that they don't justify the time or monetary investment you'd need to spend to enjoy them. It's the gaming equivalent of playing with a fidget spinner while on a Discord call - something to keep your hands occupied while you catch up. It's a game designed to get you to pay to skip it, not play it, so what's the point of it?
Dawntrail is another excellent expansion for Final Fantasy 14. The story takes a while to get going, but once it's finished setting the scene it takes some pretty big swings in the second half that left us captivated. The dungeons are the best the game has ever had, the new Pictomancer class is an absolute joy to play, it's got incredible art design, and a soundtrack that's gorgeous. Here's to another 10 years of Final Fantasy 14.
Still, the new mechanics rolled out in higher difficulties will keep dedicated players engaged for a long time. The fundamental gameplay is enjoyable enough to carry Spin Rhythm XD through its limited range. This is an energetic and moreish arcade rhythm game that puts a neat new spin on the genre.
NeoSprint is a decent refresh of an aged formula, with simple but fun racing and some neat new features. Unfortunately, the presentation is a little underwhelming, and one or two issues appear in the rear view mirror just a little too often.
Trails through Daybreak is one of the series' best games, and its most impressive in terms of scope. It's a robust, engrossing RPG that often demands patience, but it's hard to turn your back on such a strong cast of characters and a story that's stuffed with memorable moments. Throw a fantastic combat system into the equation, and Daybreak is right up there with Falcom's finest releases.
#BLUD's not without its drawbacks. Quest objectives can seem vague, the combat takes a while to really get going, and its dungeon design teeters into tedious territory at times. But fun boss fights, a good sense of humour, and an absolutely killer art style can make you forget all about the missteps.
In the end, Until Then is a bit like a pixelated Life Is Strange. And like the best Life Is Strange games, it strikes a near-perfect balance between the mundanity of every day life and the joyous and devastating moments that occasionally perforate that normality.
A bona fide classic remastered with love and care. This edition brings smooth visuals, a beautifully recreated musical score, and well-presented supplemental materials. It certainly shows its age, but like all great art, Beyond Good & Evil weathers the test of time with grace.
Megaton Musashi W: Wired is one of those games where you can identify its flaws very quickly, but they're not going to stop you from having fun. Ultimately, it's the title's fast-flowing and easy-to-grasp combat that wins the day, bolstered by an addictive loot system and a moreish, mission-based campaign.
Shadow of the Erdtree delivers more of the same style of content you loved two years ago rather than introducing new ways to engage. That's enough to consider it a fantastic expansion, though it's hard not to feel like you're just going through the motions again. With a new land to explore, a fresh set of bosses to fight, and extra lore to consume, it's so much more Elden Ring.
Still Wakes The Deep may not stick around for long, but it'll have an iron-clad grip on you across its runtime. There's clear inspiration here from horror movie classics such as Alien and The Thing, and we adored seeing those inspirations play out through its highly-detailed settings and salt-of-the-Earth cast of characters. It may not be the most engaging gameplay experience on the PS5, but The Chinese Room smartly lays a solid foundation in the Beira D and its gaggle of staff, that'll keep its viscerally focused horror on your mind long after the credits roll.
Capping all of that off are some lovely visuals. While still feeling limited by the game's 3DS origins, Capcom has done a fantastic job of updating textures, and boosting the overall quality of environments for this re-release. When looking back at 3DS gameplay, you can see the stark difference.
While the overall structure of the game hasn't changed, the formula worked and didn't need any major shifts. But when compared to the first Stories — which already holds up really well — the small and large enhancements to every facet of the experience make this sequel a must-play RPG for any fan of the genre, or the Monster Hunter series.