there's no denying that Age of Mythology’s gameplay can feel simplistic, which is ironic, considering how influential the series has been. Having played a bunch back in the day, the missed campaigns are appreciated, but we can’t see ourselves regularly returning to the well.
Dragon Age: The Veilguard isn't quite BioWare back to its absolute best, but it is the most cohesive and emotionally engaging RPG that the studio has delivered since Mass Effect 3. Its shift to crunchy action combat is an improvement over Inquisition's middle-of-the-road approach, and although the game feels a little light on meaningful player choice, the storytelling pulls no punches when it actually matters. This is a gorgeous and gripping adventure, backed by a cast of endearing heroes and deliciously devious villains.
Screamer is a bold and exciting arcade racing game that stands out from the pack. It takes some big swings, and most of them have worked out, save for a story that maybe outstays its welcome. The racing itself is unique and challenging, and once you have a handle on all its systems, it's very rewarding to master. With its stylish presentation on top, this is one racer very much in its own lane.
Fatal Frame 2: Crimson Butterfly Remake is arguably one of the scariest games we've ever played. Team Ninja has somehow managed to make an already terrifying game even more so, turning Minakami Village into a visually striking and tense playground for fear. The Camera Obscura combat remains novel and unique, but clunky controls and some drawn-out encounters can frustrate.
Marathon doesn't have that instant fun factor and casual appeal that an extraction shooter like ARC Raiders does. And for a lot of people, that likely means it isn't the game for them. But Marathon is a game that gives more to you the more you give to it. With impeccable Bungie gunplay, a gorgeous world and artstyle, and a gameplay loop much denser than its competition, we think Marathon is something special. The more we play, the more we love it.
Monster Hunter Stories 3 is the pinnacle of the series in so many ways - especially from a storytelling perspective. At its core, it's a ridiculously addictive monster taming RPG, boasting in-depth progression systems and satisfying combat mechanics - but it does take quite a long time for everything to truly click.
On paper, Resident Evil Requiem is essentially a two-in-one package that delivers both excellent survival horror and action gameplay. It is that in practise, too, but the playtime imbalance between the two is enough that you'll get too much of one and not enough of the other. At the end of it all, it's another fantastic entry - you just might not get everything you're looking for out of it.
God of War: Sons of Sparta is a fun spin-off that takes a series we all know and love and places it somewhere entirely different. It's a mostly successful experiment; the Metroidvania structure works well with the franchise's mechanics, and it looks and sounds the part. However, it takes too long to really come into its own, leaving the early parts of the game feeling a bit lacking compared to the richer experience found later on. If you have the patience to see it through, and can overlook some rough edges here and there, this is a worthwhile adventure for fans that delves into Kratos' history in a way we haven't seen before.
Avowed is arguably Obsidian's strongest modern release, and it's not for the reasons that you may think. While the game's writing and storytelling often lack bite and excitement, its gameplay saves the day with a cracking combat system, meaningful player choice, and the enjoyable exploration of some truly stunning locales.
High on Life 2 is a great sequel that sticks to its guns and refines the best parts of the first game. The skateboard-shooting concept works excellently, elevating the gunplay and creating a more engaging and enjoyable moment-to-moment experience. But all of this is ruined by incredibly poor visual fidelity on PS5 and PS5 Pro that distracts from the release's overall artistic achievements.
By improving upon its work from the Little Nightmares series, Tarsier Studios has crafted its greatest horror game yet. Reanimal is an impressive, smooth mix of action, platforming, and top-of-the-line presentation. It's a very gripping and intense experience, both in solo play and co-op.
All that said, even with its slow moments and uneven presentation, Dark Auction’s writing and mystery kept us hooked. If you enjoy character‑driven visual novels with a darker edge, then it’s worth a look.
Just as enjoyable as it is frustrating, Romeo Is a Dead Man is an incredibly uneven experience. You'll love it one minute and hate it the next. Persevere with its more annoying elements, and you'll discover a unique and entertaining hack and slasher at the end of it all. It just takes a lot of effort and restraint to get there.