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Last reviewed: Mina the Hollower · 6 days ago
Luna Abyss is a AA shooter that holds its own against some of the elite of the genre. Its enticing and ominous sci-fi world is a delight to look at artistically, even if its muddy graphics let it down on closer inspection. Its story is fine, but a slick sense of progression keeps its action and platforming interesting from start to finish.
Planet Zoo is, ironically, a relatively toothless park building game. It doesn't have the delicious chaos of the Jurassic World Evolution games or the thrills of building your own rollercoaster and then hoping it'll stay on the tracks in Planet Coaster. But it's a pleasant and charming game. There's an airy joy in creating a peaceful home for animals to live in, and the earnest conservationist slant of Planet Zoo is hard to fault.
How much would you pay to be Batman for an hour? If your answer sits somewhere in the region of £15.99/$19.99, then Batman: Arkham VR is a virtual no-brainer. With the exception of the finicky motion tracking and brief running time, this is an exceptional short story that eloquently demonstrates many of the advantages of virtual reality. But perhaps the most impressive thing here is that, in transforming you into the Dark Knight, it illuminates both the pros and cons of being a masked vigilante. And while the former interactions will make you feel downright awesome, it's when the Caped Crusader slowly begins to unravel that it comes into its own.
While the occasional technical issues might hamper the experience somewhat, XCOM 2 remains a superb strategy game that expertly weaves stellar mechanics and emotional story-telling into an engrossing campaign in which every choice that you make feels genuinely important. It can be both brutally difficult and depressingly ruthless, but the scant moments of joy that you'll experience in your attempts to overthrow the alien regime should provide more than enough incentive to keep fighting the good fight.
The patient, cunning mindset Aragami puts you in with its strictly stealth gameplay is something we long for with more titles. With simple yet smart level design and mechanics, it proves to be a focused title with heart and soul that has learned much from its old masters. But the game does lack polish in its performance and appearance, and the AI can be irritating at times. Fortunately, the release's story, visuals, and sound design ultimately help lift it out of the darkness.
Lichtspeer's saving grace is its exceedingly satisfying aim-and-throw gameplay. Simple and yet devilishly compelling, it's the one trick up the game's sleeve that'll keep you coming back for more, despite some very challenging sections and so-so bosses. Arcade gamers that are looking for something new will have a ball with the flinger's fast-paced action, but for most, this will likely only entertain for a short while. It's not the best arcade game around, then, but it's also by no means the wurst.
The Journey is FIFA 17's headline act, and it's a surprising success. The story of Alex Hunter is this year's centrepiece, and adds yet more value to the already robust and rock solid footie offering that we've come to expect of the series. What's more, the jump to the Frostbite engine has worked wonders as far as presentations is concerned. As accessible as it is comprehensive, FIFA once again proves that it's still a top performer.
Unlike The Taken King, Rise of Iron isn't an essential reincarnation of Destiny, but it is an expansion that delivers on its promise of rejuvenating Bungie's shooter – even if it does refuse to step outside of the game's well established comfort zone. A few fun story missions, a great new Raid, and a suite of fresh reasons to get back to the grind for better loot should be enough to keep the ever-present darkness at bay.
The mentioned faults do knock NHL 17 down a little, but it would be harsh to do anything other than praise what is a very different and much improved game to last year. New modes, impressive tweaks to the AI to make things more competitive, and that stellar in-game presentation that does a darned good job of simulating the real thing mean that there's more than ever for the puck nuts to get their teeth into this time around.
The NBA 2K series has always been a hard one to improve upon since the revolutionary 2K14, but 2K17 still manages to better its predecessors, vastly improving the MyGM and MyLeague modes while refusing to tamper with a winning formula. MyCareer is once again a very enjoyable story, and general gameplay is as strong as ever. Simply put, NBA 2K17 is a trailblazer.
As the industry gears up for another bumper holiday season, The Bunker offers something a little different. It doesn't attempt to give you a bulk of gameplay or mechanics, but it makes up for this and more in its plot and characters. Don't let this experience pass you by if you're looking for an interesting and superb story, because we think this is the FMV genre at its very best.
Variable State's Virginia is by and large an unsuccessful attempt to make something interesting. An absolutely incredible soundtrack and great environmental art fail to lift the game from a bog of issues. There are some severe technical issues here, but real criticism should be pointed in the direction of the oftentimes incomprehensible narrative, which needed to be much stronger given the general lack of interactivity elsewhere.
Slain: Back from Hell has one of the very best pairings of stunning visuals and amazing audio that you'll find on the PS4. Unfortunately, it's let down by a dull combat system and a horribly unfair level of difficulty, meaning that the game never picks up the momentum that it should. Wolf Brew Games had an awesome idea here with stacks of potential, but the complete package is hell to play through.
It's clear that the “walking simulator" genre has moved on since its birth child four years ago. The antiquated gameplay has been surpassed by the likes of Gone Home, The Vanishing of Ethan Carter, and Firewatch, and the visuals are just as murky as a Scottish rainfall. There are far more and much better narrative-driven experiences to be had in 2016, and so Dear Esther: Landmark Edition feels like a bit of a relic in this day and age.
BioShock: The Collection is the best way to experience the world of Rapture and Columbia. All three games and their DLC look great and, despite a slightly creaky port of the first game, perform well. Unfortunately, series veterans won't find anything new, meaning that the visual upgrade and the convenience of having everything pulled into one package are the only reasons to return to games that you may have already experienced multiple times.
If this is indeed Two Tribes' swansong, then it's a goodbye wave accompanying tears and smiles. This is a fine way to leave, and it's pertinent to think that its final legacy is accomplished through the use of aspects which are, sadly, already in the rear-view mirror. It takes a lot of commitment for a relatively small game, and it's sometimes a little too eager for you to suffer its wrath. However, the charm, style, and sophistication by which it mixes up so many different styles successfully is a testament both to RIVE's great design and also some of the most beloved games of years gone by.
The Tomorrow Children is an extraordinary, mystifying game with a fantastic core concept of working together for a common goal. While there's a steep learning curve, and the fundamental gameplay is not all that fun, we'd be lying if we said that we weren't engrossed in our duties, and there's just enough depth to keep you absorbed for a while. We imagine that the game will change a lot over time, and as it'll become free-to-play at some point in the future, this is definitely worth a try if you're looking for something different.