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Last reviewed: Palworld · today
there's no denying that Age of Mythology’s gameplay can feel simplistic, which is ironic, considering how influential the series has been. Having played a bunch back in the day, the missed campaigns are appreciated, but we can’t see ourselves regularly returning to the well.
Dragon Age: The Veilguard isn't quite BioWare back to its absolute best, but it is the most cohesive and emotionally engaging RPG that the studio has delivered since Mass Effect 3. Its shift to crunchy action combat is an improvement over Inquisition's middle-of-the-road approach, and although the game feels a little light on meaningful player choice, the storytelling pulls no punches when it actually matters. This is a gorgeous and gripping adventure, backed by a cast of endearing heroes and deliciously devious villains.
Going Under is a roguelite that ditches some of the genre's usual depth in favour of a compelling satirical tale. It won't last you too long, but there's enough here to hold your interest as you delve into some truly unique dungeons. Though it isn't the best dungeon crawler, it's certainly one of the most unusual, and we love it for that.
It’s just a shame that the campaign only lasts a few hours, though there is a separate arcade mode to keep players busy. If you can look past that issue, Budget Cuts is a fantastic experience that all PSVR owners should play. Offering an engaging and fully immersive experience, we can only hope the sequel also makes its way to PSVR in good time.
Re-Reckoning isn't a great remaster, but there's no denying that Kingdoms of Amalur is still a lot of fun to play. Its action-based combat has stood the test of time, and exploring its often whimsical world is enjoyable. If you can look past the clunky presentation and fairly frequent bugs, you'll find an ample high fantasy adventure.
Port Royale 4's gameplay consists almost entirely of all of the bits in other strategy games that you'd normally set to "Automate" because they're fiddly and boring. It's a game set in the era of pirates with nary a hint of swashing nor buckling.
If there was a little more to it, it'd be easier to recommend, but it's certainly worth a quick trip.
But with all these setbacks, perhaps the age old question of 'Can you run Crysis?' should be refrained. Maybe we should instead be asking, why would you want to?
You'll be hard-pressed to find a remake more faithful than Mafia: Definitive Edition. It pays a great deal of respect to the source text with excellent cutscene direction, voice acting, and a cast of characters you can't help but fall in love with. The game definitely shows its age with frustrating controls and vehicle handling, but the next story beat is enough of an excuse to continue pressing forward. Mafia: Definitive Edition's narrative and everything that comes with it holds up to this day, and it's one worth revisiting even if you know it like the back of your hand.
Tennis World Tour 2 captures the flow of real-world tennis well, but that comes with a steep timing-based learning curve. Overcome it, and you'll be rewarded with a deep skill-based gameplay experience, that's elevated by a strategic deck building accompaniment. There's inconsistency to the presentation, with some awkward animations, physics, and art direction decisions – but the campaign is entertaining and online play will add longevity. As it stands, it's the best tennis game currently available on the PS4, but there's still room for further improvement here.
WWE 2K Battlegrounds is a game that seems like it exists purely to house its storefront, offering predatory microtransactions which would be overly pricy in a free-to-play game. In a paid title - even a budget one - they're offensive. The only silver lining here is that the game is rubbish anyway, so feel free to skip it without feeling like you're missing out.
Spelunky 2 betters its predecessor in just about every area. Push through its tough outer shell and you'll discover a fantastic platformer well worth your time. More stuffed with secrets than ever and fleshing out the formula with all kinds of new additions, this is a rich and addictive roguelike with so much to unearth.
Konami is effectively taking a year off because it knows it has the basis of something special here and it wants to ensure it makes an effective transition to the PlayStation 5; we can respect that. But with barely any changes and the abovementioned licensing shortcomings, we’d recommend you just pick up last year’s game for a couple o' quid instead.
Perhaps our favourite thing about the expansion is that it gives your crew a little more room to breathe. A lot of new dialogue has been recorded for Peril on Gorgon, and your allies chime in throughout the DLC's main quest, which lasts a reasonable six to eight hours or so.
Sadly, Bounty Battle plays about as well as it looks. The goal is to empty the health bar of your enemies, but character animations are so basic and stunted that it's near impossible to tell what's going on — especially during three or four player fights. The controls are responsive enough, but the release is riddled with stuttering issues on PS4 — combat just never feels smooth, and that's a nail in the coffin of any fighting game.
13 Sentinels: Aegis Rim is a phenomenal visual novel - and a surprisingly great strategy game. In trying something different, Vanillaware has crafted one of its best games yet. It's got an engrossing story that's absolutely packed with mind-blowing twists and endearing characters, all wrapped up in a gorgeous visual style. Don't sleep on 13 Sentinels - it's one of 2020's finest.
Overall, it's just not particularly well made; music will drop out occasionally, some collectibles aren't fully explained, the writing isn't good, and it's awkward to control.