Includes PushSquare
Last reviewed: Palworld · today
there's no denying that Age of Mythology’s gameplay can feel simplistic, which is ironic, considering how influential the series has been. Having played a bunch back in the day, the missed campaigns are appreciated, but we can’t see ourselves regularly returning to the well.
Dragon Age: The Veilguard isn't quite BioWare back to its absolute best, but it is the most cohesive and emotionally engaging RPG that the studio has delivered since Mass Effect 3. Its shift to crunchy action combat is an improvement over Inquisition's middle-of-the-road approach, and although the game feels a little light on meaningful player choice, the storytelling pulls no punches when it actually matters. This is a gorgeous and gripping adventure, backed by a cast of endearing heroes and deliciously devious villains.
Blind is a wildly uneven, generally disappointing trip into virtual reality. Its main sticking point, echolocation, shines when used to its fullest, but more often than not, it doesn't get put to any real use. In between each of the game's good puzzles, you'll encounter large stretches of walking, and probably a smattering of technical problems as well. But hey, at least it won't take too much of your time. The ending impression with Blind that we were left with was largely one of disappointment. We hoped for, and expected, more.
The Gardens Between is almost a truly great puzzle game, but it gets hung up in a couple of small areas.
NBA 2K19 is once again the best simulation of basketball. When it comes to gameplay, presentation, and polish 2K's latest entry is undoubtedly unmatched. However, basic cosmetic options being held hostage behind microtransactions and an obtrusive story during MyCareer are huge unforced turnovers and prevent NBA 2K19 from cementing itself as the Greatest Of All Time.
Once you get to grips with how it handles, V-Rally 4 is a competent and lightweight arcade-style off-road racer with a fair bit of charm that harkens back to the series' foundations. Aiming for spectacle and variety in design, it looks and feels like a 2018 V-Rally game. However, a shallow and disappointing career mode, irritating music, and a handful of visual and gameplay bugs means you're likely to grow weary in a short space of time.
Downward Spiral: Horus Station neither succeeds nor fails in any spectacular fashion, and as such, it just sort of exists. This is a boring experience that doesn't do anything truly unforgivable, but is also unsuccessful in offering anything worthy of talking about. Downward Spiral: Horus Station is a thing, but you really don't need to experience it.
Destiny 2: Forsaken is an undeniable return to form for Bungie's shooter, boasting a very enjoyable campaign and breathing some much needed life into the overall experience. It reestablishes Destiny 2's status as a 'hobby' game, once again giving players good reason to come back on a regular basis, but your mileage will no doubt vary depending on your tolerance for the grind. With a hefty price tag, it's best to make sure that you know what you're getting into before lining up the shot.
Shadow of the Tomb Raider shines in exploration, offering stunning scenic views that enrich the pursuit to walk among the greater open world. It's filled with rewarding puzzle platforming tombs that emphasise the return of new and old gameplay mechanics. However, the same can't be said for the story, as Lara's journey is concluded with a tired and tried formula that never reaches the potential it displays in certain cutscenes, despite its promising beginning.
Labyrinth of Refrain: Coven of Dusk is an altogether fun but often repetitive dungeon crawler let down by its weak cast and uninteresting storyline. Moments spent in the labyrinth dungeons, though initially confusing, are bright spots in an otherwise uninspiring game, giving the opportunity for exploration and presenting an intriguing battle system which allows for plenty of customisation and experimentation.
Dragon Quest XI sticks to what it does best, offering a traditional Japanese RPG experience that's simply a joy to be a part of. It's an old school adventure wrapped up in gorgeous current-gen visuals, but it's the lovable characters that win the day. The game's fit to burst with personality, wit, and charm, superbly localised and meticulously crafted. It may not push the genre forward, but it's peak Dragon Quest, and it's absolutely one of the best RPGs on PS4.
The Golf Club 2019 Featuring PGA Tour's foundations are built upon a rock-solid simulation, with tight swinging and tough greens making for a stern challenge that's difficult but fair. The addition of licensed courses means that this year's game has a much better campaign, but it doesn't feel like HB Studios has had quite enough time to capture the sense of occasion that real TPC events can have. As such, with 2K Sports now also on board as publisher, we reckon it's the next instalment that's really going to impress. The building blocks are all in place, though, and if you're in need of a serious golf game on your PS4 right now, then this edition very much finds the green.
Immortal: Unchained isn't inherently an awful game, but it has very little going in its favour. Its level design is one shining beacon among a sea of bang average gameplay, unacceptable technical flaws, and a combat system that does little to distinguish itself from its inspirations. Those enamoured with the Souls formula may discover something to like, but they'll have to sort through a mountain of mediocrity to find it.
Valkyria Chronicles 4 has the unenviable task of reinvigorating a series that hasn't seen a mainline home console entry in over a decade, as well as washing away the bad taste left in players mouths after the dreadful Valkyria Revolution. That it succeeds so comfortably on both fronts is at once a surprise and a delight. The storyline is thoughtful and engrossing, the cast is varied and likeable, and the combat is challenging and rewarding throughout. This is the game Valkyria Chronicles fans have been waiting for, and one that newcomers to the series should be equally excited for.
Punch Line has a completely bonkers but utterly engrossing storyline. Its quirky cast of characters are incredibly captivating and it's easy to fall in love with all of them. The puzzles are a bit too easy but that just makes it quicker to get back to the thrilling story.
There's a clear feeling of Martyr being spread way too thin across all the ideas at play, and pretty much every aspect of the game suffers as a result. If it could've trimmed some of the fat and instead focused on a select few features and mechanics, we might well have had a ground-breaking 40K release on our hands. Instead, what we're left with is a half-baked example of what could've been. Buried under its own ambitions to be everything at once is a solid Warhammer 40K story and a slow-burning, serviceable ARPG experience whose shortcomings may be more easily excused by fans of the source material the developers so honorably follow.
Ultimately, Marvel's Spider-Man is a must-buy, because no matter how you feel about our webbed superhero, this is just an insanely fun game to play, and it's so well put together. Just like the Arkham games did for Batman, this pretty much provides the definitive version of the Spider-Man universe outside of the comics, and leaves us begging to explore more of it in the inevitable sequel. Webslinging is bliss, combat is fantastic fun, and the extra content and collectibles are varied and infrequent enough not to overwhelm. What's more, the plot and characters are an unexpected surprise, with some fantastic performances that are genuinely touching. Marvel's Spider-Man is one of the best games of 2018 so far, and every PS4 owner will feel proud to own it as part of their library.