there's no denying that Age of Mythology’s gameplay can feel simplistic, which is ironic, considering how influential the series has been. Having played a bunch back in the day, the missed campaigns are appreciated, but we can’t see ourselves regularly returning to the well.
Dragon Age: The Veilguard isn't quite BioWare back to its absolute best, but it is the most cohesive and emotionally engaging RPG that the studio has delivered since Mass Effect 3. Its shift to crunchy action combat is an improvement over Inquisition's middle-of-the-road approach, and although the game feels a little light on meaningful player choice, the storytelling pulls no punches when it actually matters. This is a gorgeous and gripping adventure, backed by a cast of endearing heroes and deliciously devious villains.
All in all, Anger Foot is a bold indie that leaves a clear impression. It feels fantastic to play when you're in the zone, and the game's relentless aesthetic helps set it apart from the action crowd.
Into the Restless Ruins is doing a lot of things right, then, but the auto-combat doesn't have the exponential growth of Vampire Survivors to keep it interesting, and whatever story is present is easy to forget. However, again, the game's interesting structure is more than enough to make it well worth a look for roguelike fans.
Ultimately, Ruffy and the Riverside is a game we wanted to like, but despite its attractive visual style and unique ideas, it never really comes together in a satisfying way. While there's some fun to be had running around in the semi-open world, it never evolves beyond that.
In what will prove to be one of the defining games of the PS5 generation, Death Stranding 2: On the Beach is a profound achievement of design, gameplay, narrative, and visuals. As all four meet in the middle, Kojima Productions has crafted a cinematic spectacle that flawlessly transitions between action and traversal, all wrapped up in the most absorbing of narratives. An immense upgrade on the first game, Death Stranding 2 is an unequivocal masterpiece.
Rematch is very close to being a brilliant online sports title, and we're confident it can reach its full potential with the right updates and post-launch support. The gameplay has depth, and successful team play is super rewarding. Once it gets past its early teething issues, this has real potential to take off.
We’re sure that if you’re a fan of the base game, you’ll likely get some enjoyment here, as there are some genuine moments of tension, and we loved getting to hear wee tidbits about the Beira D disaster. However, what it does more than anything else is make us want to go back and play the base game.
Raidou Remastered gives one of Atlus' most experimental PS2 outings a deserved second chance. Better described as a remake, a huge list of improvements, including a superbly reworked combat system, make this a must-try for the developer's modern audience. Raidou remains a uniquely weird and compelling action RPG, and this is its definitive form.
FBC: Firebreak stings a little, because it has so much of what we're looking for in a co-op shooter. It's got the killer world and aesthetic, it's got quirky powers and role based kits, it's got tight first-person gameplay, and doesn't require you to grind things out for dozens of hours. However, despite all of that, Firebreak's just fine, and ironically lacks the fire that we expect from Remedy's output. It's a fun, casual time, but you'll play it, you'll finish it, and before long you'll forget about it and wish you had been playing Control 2 instead.
If you're a fan of the franchise, then TRON: Catalyst is a title you won’t want to miss. Bithell Games has massively expanded the scope and ambition of its title from the first time out, and the results are mostly successful.
MindsEye is a broken, boring mess of a game that has somehow been allowed out in the world. It has little glimmers of something semi-entertaining in there with its cutscenes and story, but it's bogged down by a vapid large scale map that is at odds with its aggressively linear campaign, and padded out with a dull repetitive gameplay loop that is nothing short of archaic.
There's a fair amount of depth to Star Trucker if you have the patience for it, and it's all presented with pleasant visuals and Americana stylings that lend it a fun atmosphere. There are some potentially frustrating elements and it's tougher than you might expect, but there's a fulfilling and novel game here for sim fans.
With out-of-this-world anime production values and a revamped structure that brings a better pace to the overall experience, Zenless Zone Zero is only going from strength to strength. With the introduction of its new district – featuring a pretty fun tycoon management-style minigame – and ever-increasing stakes, the coming year looks bright for HoYoverse’s hyper-cool urban outing.
Elden Ring Nightreign is a very interesting game that's likely going to divide FromSoftware fans. It's not the hand-crafted RPG that we've come to expect from the storied developer, but it does manage to take much of the gameplay depth of Elden Ring, and retrofit it into a fast-paced multiplayer experience. While we don't think it really holds a candle to games like Dark Souls 3 or Elden Ring, it isn't really trying to. This is basically FromSoftware having some fun with its IP, and with a squad of friends, Elden Ring Nightreign is a blast.
From one odd scenario to the next, to a T manages to be just as quirky and ludicrous as it is personal and touching. The overriding emotion, though, is one of joy. to a T is the perfect pick-me-up, guaranteed to make you smile no matter the circumstances.