there's no denying that Age of Mythology’s gameplay can feel simplistic, which is ironic, considering how influential the series has been. Having played a bunch back in the day, the missed campaigns are appreciated, but we can’t see ourselves regularly returning to the well.
Dragon Age: The Veilguard isn't quite BioWare back to its absolute best, but it is the most cohesive and emotionally engaging RPG that the studio has delivered since Mass Effect 3. Its shift to crunchy action combat is an improvement over Inquisition's middle-of-the-road approach, and although the game feels a little light on meaningful player choice, the storytelling pulls no punches when it actually matters. This is a gorgeous and gripping adventure, backed by a cast of endearing heroes and deliciously devious villains.
This is the same old Torchlight, but somewhat diminished. Classes are full of character and lots of fun to play, while Relic abilities encourage experimentation and significantly change combat. However, there's nothing especially new or exciting about this third instalment.
Stop us if you've heard this one before: FIFA 21 isn't a huge upgrade on FIFA 20, but a boatload of small improvements do help it rise above its predecessor. The on-pitch action arguably feels more arcadey than it has done in years, but there's no denying the excitement that comes with playing through a 5-4 thriller. FIFA is still king in delivering a robust and accessible footballing package, but the series needs to step up its game on PS5 - particularly when it comes to presentation.
There's almost too much to talk about with Crash Bandicoot 4: It's About Time, but rest assured that this is a return to form for the series. It might be tough, even a little mean at times, but this is the proper sequel fans have been asking for. With so much to see and do, this is a stylish, confident 3D platformer that brings Crash back at his best.
Star Wars: Squadrons has its heart in the right place and a comprehensive, in-depth set of flight mechanics go a long way towards realising that childhood dream of piloting an X-Wing. It achieves the vision in some ways, but in others, the package lacks excitement and content. While excellent PSVR support will be enough for some, a boring story and inadequate multiplayer modes leave a lot to be desired.
There are several issues though and its biggest one regards movement, which offers three options: teleportation, swinging the PlayStation Move controller, or a smooth option reliant on button pressing. None of them click perfectly and adding to this, character models look a bit rough. If you can get past these flaws, Onslaught is ultimately enjoyable, bringing good combat and rebuilding Alexandria is quite fun. If you’re a fan of the TV series, this is worth a look.
Going Under is a roguelite that ditches some of the genre's usual depth in favour of a compelling satirical tale. It won't last you too long, but there's enough here to hold your interest as you delve into some truly unique dungeons. Though it isn't the best dungeon crawler, it's certainly one of the most unusual, and we love it for that.
It’s just a shame that the campaign only lasts a few hours, though there is a separate arcade mode to keep players busy. If you can look past that issue, Budget Cuts is a fantastic experience that all PSVR owners should play. Offering an engaging and fully immersive experience, we can only hope the sequel also makes its way to PSVR in good time.
Re-Reckoning isn't a great remaster, but there's no denying that Kingdoms of Amalur is still a lot of fun to play. Its action-based combat has stood the test of time, and exploring its often whimsical world is enjoyable. If you can look past the clunky presentation and fairly frequent bugs, you'll find an ample high fantasy adventure.
Port Royale 4's gameplay consists almost entirely of all of the bits in other strategy games that you'd normally set to "Automate" because they're fiddly and boring. It's a game set in the era of pirates with nary a hint of swashing nor buckling.
But with all these setbacks, perhaps the age old question of 'Can you run Crysis?' should be refrained. Maybe we should instead be asking, why would you want to?
You'll be hard-pressed to find a remake more faithful than Mafia: Definitive Edition. It pays a great deal of respect to the source text with excellent cutscene direction, voice acting, and a cast of characters you can't help but fall in love with. The game definitely shows its age with frustrating controls and vehicle handling, but the next story beat is enough of an excuse to continue pressing forward. Mafia: Definitive Edition's narrative and everything that comes with it holds up to this day, and it's one worth revisiting even if you know it like the back of your hand.
Tennis World Tour 2 captures the flow of real-world tennis well, but that comes with a steep timing-based learning curve. Overcome it, and you'll be rewarded with a deep skill-based gameplay experience, that's elevated by a strategic deck building accompaniment. There's inconsistency to the presentation, with some awkward animations, physics, and art direction decisions – but the campaign is entertaining and online play will add longevity. As it stands, it's the best tennis game currently available on the PS4, but there's still room for further improvement here.
Spelunky 2 betters its predecessor in just about every area. Push through its tough outer shell and you'll discover a fantastic platformer well worth your time. More stuffed with secrets than ever and fleshing out the formula with all kinds of new additions, this is a rich and addictive roguelike with so much to unearth.
WWE 2K Battlegrounds is a game that seems like it exists purely to house its storefront, offering predatory microtransactions which would be overly pricy in a free-to-play game. In a paid title - even a budget one - they're offensive. The only silver lining here is that the game is rubbish anyway, so feel free to skip it without feeling like you're missing out.