
It's cool that Lilith is back but where's my loot?

Last reviewed: Zero Parades: For Dead Spies · 2 months ago

It's cool that Lilith is back but where's my loot?

A gripping finale can’t save a bland cast and shallow writing

A boring collect-a-thon and empty open world drag down Recore's strong fundamentals

Alone With You's story can't erase its repetitive gameplay

The world of Obduction is a pastiche of time and mood. So’s the gameplay. Yet in creating something moored only to the design strengths of the studio, Cyan has succeeded in making an another adventure that feels truly timeless.

Madden NFL 17 does so much it's hard to speak of all its appeals and improvements

Mankind Divided's cybernetic playground feels fresh, even if it doesn't go as far as expected

Bound is an imperfect but enchanting reminder of the power of art

No Man's Sky is an impressive set of tools grafted onto a game with very little going on.

Batman: The Telltale Series is still packed, like any of the developer's games, with conversational social roleplay choices. This episode alone asks you to give a press conference and multiple speeches. And though the game begins with kicking butt as Batman, the front half of "Realm of Shadows" does drag a little.

Abzu is gorgeous and calming but a little shallow

Quadrilateral Cowboy teaches you to use its toys, but doesn't give a lot of room to use them

Headlander isn't Double Fine's funniest game, but it's one of its most consistently fun

I Am Setsuna is a somber yet joyful nostalgia trip

Necropolis fails to capture the magic of its influences

Every piece of Videoball feels crafted for competition, and even when I was getting whipped by the game's AI opponents, it was a joy to play. With the pinpoint control and endless playability of the best arcade sports experiences, the small team at Action Button Entertainment has invented something wonderful and new in Videoball.

Ghostbusters (2016) is a cynical bit of licensed drivel