there's no denying that Age of Mythology’s gameplay can feel simplistic, which is ironic, considering how influential the series has been. Having played a bunch back in the day, the missed campaigns are appreciated, but we can’t see ourselves regularly returning to the well.
Dragon Age: The Veilguard isn't quite BioWare back to its absolute best, but it is the most cohesive and emotionally engaging RPG that the studio has delivered since Mass Effect 3. Its shift to crunchy action combat is an improvement over Inquisition's middle-of-the-road approach, and although the game feels a little light on meaningful player choice, the storytelling pulls no punches when it actually matters. This is a gorgeous and gripping adventure, backed by a cast of endearing heroes and deliciously devious villains.
A clear improvement on the original, Yooka-Laylee and the Impossible Lair is a pleasant surprise. It struggles to balance difficulty, but the end result is a robust and compelling platformer. It feels much more cohesive than its older brother and, free from the need to play to nostalgia, gives the characters and the world a better identity. It isn't perfect, but it's certainly a step in the right direction for Playtonic Games.
NHL 20 sees Franchise mode take a welcome step forward, while other areas have either remained the same or actually gone backwards. The new commentary makes it clear that different does not mean better, and all the slick new animations in the world can't hide poor AI. We feel like a broken record saying this, but the NHL series is in sore need of a comprehensive revamp.
Tropico 6 is one of PlayStation 4's best strategy games, and also one of its most unique, putting you into the shoes of a dictator rather than the standard benevolent overseer that most of these titles offer. Taking your tropical island from shacks and farms to skyscrapers and space plans is a lot fun, and there's enough variety in map design and mission objectives to mean that you'll rarely feel like you're repeating the same beats. And honestly, the music really is pretty good.
Code Vein is a stylish JRPG with an interesting combat system that just falls short in a few areas. Its inspirations are clearly worn on its sleeve, but it brings enough to the table to stand out on its own. This title has promise, and we think the developer could iron it out into a worthy franchise if it's given the chance to make future instalments.
The only real accolade you can award this run-of-the-mill release is that it’s inoffensive, but even then it’s almost offensively inoffensive – if you get what we mean.
Mutazione is simple, but achieves what it sets out to do: tell an emotional story about community, family, and forgiveness among a memorable ensemble cast. It's relaxing, compelling, and unique. That it also looks and sounds magnificent is just the icing on the cake.
Utawarerumono: Zan is a decent action RPG that doesn't take too long to beat, but at full retail price, it feels like an overly expensive endeavour -- especially for existing fans of the series.
There's no denying that Yakuza 3, even in its remastered form, is rough around the edges -- especially if you're coming off the back of Yakuza 6, Kiwami 2, or Judgment -- but this is still one of the series' better instalments, and for our money, the best of the PS3 Yakuza trilogy.
In refusing to dramatically innovate, Borderlands 3 continues to occupy a unique position in the RPG genre. Its blend of looting, shooting, and comedy makes for varied gameplay sequences, deep and meaningful player progression, and a couple of laughs along the way. It's not going to convert anyone who wasn't a fan of previous iterations, but in doing so, Borderlands 3 sticks to what it does best.
A curiously compelling gameplay loop makes Bus Simulator much more entertaining than it has any right to be. The presentation is poor, but the act of actually picking up passengers and taking them to A-to-B in an expanding open world is moreish, and the title has a self-aware sense of humour that's easy to appreciate.