Includes RPS, Rock, Paper, Shotgun
Last reviewed: Denshattack! · 6 days ago
I can't get Fish Sticks out of my head. Not the food, but the stray cat with a squished face and stubby legs that I wrangled into my shack in Edmund McMillen and Tyler Glaiel’s new roguelite strategy game, Mewgenics. The shop, the pub, the dentist; no matter where I go, I…
I was, like so many of my 1990s-born peers, a huge Sims girlie. I spent hundreds of hours as a teen and young adult making people I knew, characters from shows I was obsessing over, or original characters I wanted to experiment with, and diligently following their life paths and…
It certainly doesn't get to join the elite group, but if you're after some ARPG entertainment, it more than fits the role. I'm far from finished, after spending a hefty amount of time with it, so there's a lot on offer here, not least with the incentive to replay older sections to perfection. Turn the voices down, put a podcast on, and sink in.
The Swindle is a minor diversion at best, without the comic timing or cunning to turn anyone to a life of crime. A weekend of crime, perhaps, at most.
It's everything you could want an expansion to be.
Sorcerer King deserves plaudits for being something altogether different rather than yet another iteration of a game we've been playing for decades.
The Magic Circle [Steam page] is a game about an unfinished game. A first person puzzle/exploration/action game about a…
When playing DMC4: SE you can see how certain parts of the design had grown archaic.
When all was said and done, I felt that my curiosity had been rewarded rather than rebuked. Her Story recognises that we have a habit of slowing down and craning our necks when we pass an accident, but it also trusts us to temper that urge with empathy. Maybe if we were separated from these events by a window and a motorway lane rather than a screen and impassable years, we'd slow down enough to pull someone out of harm's way.
Lego Jurassic World ends up being a middling entry for TT's enormous franchise, but a middling entry by them is still enormously better than most other family games.
There are many good things within Massive Chalice, but they're frustratingly kept at arm's length from me.
It's extremely rare to come across a game in which all of the details of that design intertwine so effectively. And then you realise it lets you redefine a lot of the parameters individually instead of having monolithic difficulty levels and, wow.
Hatred fails in every way. It fails to be a fun, entertaining game. It fails to be a technically competent release. And most of all, it fails to be a controversial, shocking experience.
It's a game that dearly wants you to have fun, and fast. It's quick, colourful and without pretension. The map-specific gimmicks inject dynamism into matches that, given its relatively reduced hero complexity, might otherwise risk strategic stagnation.
It's a flawed masterpiece, but make no mistake, it absolutely is a masterpiece – one of the best RPGs ever created, and a true tribute to Sapkowski's stories.
NEON STRUCT is a game about hide'n'seek as paranoid fear, not superthief glamour. It gives you large, heavily-guarded maze-like spaces and asks you to find your own way around them, whether it's by roof or street, by stolen keycard or opened vent, by planned strikes or pure evasion, by gadget or by wits alone. Welcome back to Liberty Island. You're not safe here.
[I]t is a beautiful-looking and well-written game, in a way that adventures far too rarely see. It's a game that proves to me that I'm right to demand so much more from point-n-clickers that get eulogised despite their enormous flaws. It has restored my faith that the genre deserves high expectations, even if it occasionally fails to meet them. And it's a long, detailed chunk of hefty sci-fi, with some careful character work.